2013 – Day 6(ish) of the 9 Days of Christmas Cards

After shooting around Chico for my first five cards, I went all out for the 2013 Christmas card and ended up with what is probably the most beautiful of the cards that I’ve shot so far.

After years of joking about doing a Sierra Nevada Santa Claus — where jolly Ol’ St. Nick enjoys a local brew similar to the iconic Coca-Cola ads — I finally came up with a workable solution.

I always had a number of reservations about the Sierra Nevada Santa, including the fact that I don’t want to encourage drinking and sleighing. I also didn’t necessarily want to go to the expense and effort of renting a Santa costume, especially because I had doubts that I could pull off a convincing Santa.

After some consideration, I thought that I could build a snowman wearing a Sierra Nevada shirt. I always strive for a PG-rated card and the shirt in of itself is fairly innocuous. I would also need to go to a location where there was snow and my first thought was of Lake Tahoe.

I’d never been to Lake Tahoe before and I was excited to check it out while shooting my card. Although I’ve always maintained that one of my goals was to create Chico-oriented cards, I made an exception because it doesn’t really snow in Chico and that I was remaining in Northern California.

As time passed, I worried about being able to get to the picturesque lake in time. After hearing of snow in foothills and Sierra Nevada, I decided to try a location closer to home up Feather River Canyon on Dec. 8.

It was a total bust. After driving up Highway 70 along the winding Feather River, I made it to Quincy. My hopes were buoyed by the fact that the snow cover increased as I headed further uphill. I sought an open field to build the snowman and picked Feather River College just outside of town.

Attempting to build a snowman in Quincy

Attempting to build a snowman in Quincy

It … didn’t go well:

The snow didn’t clump very well and it was impossible to build a firm enough snowball to form the nucleus of the snowman.

After a few minutes of trying, I gave up and retreated down the hill back to Chico frustrated but happy that I had enough time to pursue alternatives.

The alternative came up quickly. I realized I could use my California Rail Pass that I would buy to travel to San Diego for the transportation to South Lake Tahoe. The Rail Pass was a great value — for $159, a passenger can travel to destinations within California on any seven days during a 21-day period (with several conditions). Although Amtrak doesn’t have a train that goes to Lake Tahoe, it has a motorcoach that makes the connection from Sacramento.

Leaving Davis Station in December 2013.

Leaving Davis Station in December 2013.

On Dec. 14, I made the trip to South Lake Tahoe via Davis and Sacramento. I was bundled for the cold, but it was a gorgeous sunny day. I primarily slept on the bus as it traveled on Highway 50, which was probably for the best because it is a very windy road up to Tahoe.

When I arrived in South Lake Tahoe, I was a little bummed out that the buildings were a little dowdy. I had pictured either a quaint downtown with classic old buildings or picturesque mountain village. What I saw was neither — much of the construction was simple, modern boxy construction.

Adjusting my expectations appropriately, I consulted with a map at the visitor’s center to look for an open field that would help provide an appropriate view of the mountains that ring the lake. Seeing a place that I could work, I walked a short distance to Rabe Meadow.

The meadow was perfect. There were houses nearby, but the meadow presented an open field with near-pristine snow with either stands of trees or the mountains themselves as possible backgrounds.

The snowman as I was about to leave Rabe Meadow

The snowman as I was about to leave Rabe Meadow

After picking an ideal spot, I set to build the snowman. It went far easier than before and I was able to quickly build the three spheres that would comprise my model. When it came time to put the Celebration Ale shirt over the snowman, I quickly realized that its torso was too big.

Because I was working with snow, I used my gloved hands to hack away at the snowman’s torso until it was just broad enough for the shirt to fit comfortably. As some of the photos show, the lower part of the snowman is disproportional to the rest of the snowman but I generally refrained from photographing the snowman’s whole body.

After putting on the T-shirt, I wrapped a scarf around the snowman to add further character to the creature. For his face, I used a handful of stones that I’d gathered outside my apartment in Chico. Once he was decorated, I think he resembled an Ewok or perhaps a stuffed teddy bear I had as a child.

A close-up of the Sierra Nevada snowman

A close-up of the Sierra Nevada snowman

Getting everything set up went fairly quickly and I was able to take dozens of photos of the snowman from different angles and distances. It was tricky because I wanted to adequately capture the background in addition to featuring the snowman prominently while showing the Sierra Nevada T-shirt.

It was a positive that I could rotate the snowman to capture different backgrounds. I tried to shoot pictures with the mountains stretching across the horizon and others with a stand of trees extending into the background.

Complicating things was trying to capture the scene without having odd objects in the background intruding on the snowman at weird angles. It was also warmer than I had expected and the snow was melting. That ordinarily wouldn’t be too big of a problem, but the water was starting to soak the T-shirt which showed up on a few shots and the rock eyes began to fall from the snowman’s face. (It turned out that it was best that I shot photos on that day because there was no additional snow that month amid the ongoing drought).

Generally, the photography went well with terrific early winter sunlight. A passerby was nice enough to take a photo of me with my creation.

The Sierra Nevada Snowman and me.

The Sierra Nevada Snowman and me.

After finishing the shoot, I was able to enjoy walking around South Lake Tahoe. I had booked a room overnight, so I had plenty of time to walk out to the beach and then head back toward town for some food, libations and entertainment before calling it a night. It was definitely a great trip and I felt that I had a great card on my hands.

When I returned to Chico, I had the challenge of finding the right photo and creating the best possible card. I went through the dozens of photos and picked the two or three that I felt best captured the moment. I generally liked a photo where the snowman was in front of the mountains with the blue sky in the background. However, I ultimately preferred a picture with the snowman in front of the stand of trees because I like how the evergreens contrasted with the white snow and red T-shirt.

Once I picked the photos, it was a matter of picking the right card template. I generally didn’t like the Costco templates because I felt they failed to showcase the actual photo prominently enough. This year, I looked at the Apple iPhotos card templates and found a couple of viable options. I also tried different messages including “A Celebration for All Occasions.”

Thumbnails of possible 2013 cards.

Thumbnails of possible 2013 cards.

I definitely liked the iPhoto designs better than the Costco ones, but it was tricky to adapt a template set for one perspective to Costco’s 6 inches by 7.5 inches. I also wanted to feature as much of the photo as possible and the iPhoto templates generally didn’t do that … except for one.

I ultimately went with a simple green banner across the bottom featuring the message “May Every Occasion Call For Celebration.” It was easiest to adapt for the Costco print sizes and definitely put the picture front and center.

The 2013 Christmas Card — "May Every Occasion Call For Celebration."

The 2013 Christmas Card — “May Every Occasion Call For Celebration.”

Ultimately, this was one of the most fun Christmas cards to make. It’s probably the best and most beautiful card I’ve created too, although I would definitely try to keep the standard high in the years to come.

By the numbers:

278 — miles traveled for the 2013 card (83 miles to Quincy for the initial failed attempt and 195 miles via bus to South Lake Tahoe).

11 — Days before Christmas when I did principal photography.

127 — Principal photos for the card (out of 211 pictures shot during my two trips).

Photos for the 2013 Christmas Card

Photos for the 2013 Christmas Card

2012 – Day 5(ish) of the 9 Days of Christmas Cards

I’ve gone into my 2012 card before. This was probably the hardest year for me to come up with a concept and the execution isn’t the best — especially because it’s so hard to see what the image is supposed to be.

This year marked another departure from my core concept of the Christmas card. Instead of featuring either Chico, Northern California or myself, the card features a conceptual snow angel rendered as confetti on the floor of my workplace at the ChicoER.

I appreciated the help from my friend Evan, but overall this card could’ve used a bit more polish. Unfortunately, this card was photographed on Dec. 21 — one of the latest cards I’ve shot. I remember trying to get the cards printed in San Diego, but they would’ve taken too long to print. As it was, they went out after Christmas.

I again used a Costco template and so I only have a picture of the card to go off of. The inscription was a bit more poetic than usual —

Although there’s no snow,
you can make a snow angel
in a hot town like Chico!

On a positive note, this was the first Christmas card shot with my sister’s Canon PowerShot camera. It has better resolution and a more powerful optical zoom than the old Sony I was using (and the screen still worked, which was something I couldn’t say for the Sony at the end).

In any case, there’s more to the story here (including my original inspiration from a live-band karaoke show in Oroville).

By the numbers:

4 — Days before Christmas when I shot the primary photos.

5.3 — Miles traveled to shoot the card (at work). Also, these mileage totals are one-way — I don’t want to inflate my numbers.

18 — Photos taken for the 2012 card (that number’s about to get _a lot_ bigger for the 2013 card).

The photos of the 2012 card

The photos of the 2012 card

2011 – Day 4(ish) of the 9 Days of Christmas Cards

I’ve previously written about my 2011 card when it first came out. After taking a couple of years off from being wholly focused on Chico or Northern California, the 2011 card was based on an inside joke with a friend during a long-ago karaoke night.

Although my friend had moved on to greener pastures when it came time to shoot this card, thankfully Autofry was still around (although it too has since moved on to whatever counts for greener pastures among industrial food machinery).

Despite my griping, I ended up using one of Costco’s templates for the card design. I generally think it worked out OK, although I’m bummed that there’s no high-res version of the card that could be saved electronically for my records (although I suppose I could scan a print digitally).

Christmas Card 2011 preview

Autofry and I hope you ‘ring’ in a merry 2012.

The 2011 card is unique because my friend Marcus only shot one photo on his cellphone. Compared with other years, I only had one option with this card. Thankfully, it worked out.

Again, I’ve written more about the 2011 card here.

By the numbers:

1 — Number of pictures taken for the card.

1.6 — Miles traveled to The Maltese for principal photography.

8 — Onion rings visible in the photo (they were delicious).

2010 – Day 3(ish) of the 9 Days of Christmas Cards

OK. I missed a couple of days because of work and because … I was mailing this year’s card to friends and family. Thankfully, I’ve already written about two of the three days so it should be fairly easy to catch up.

I haven’t yet written about my 2010 card, which was the first year that I almost didn’t do a card. In December, I was still recovering from two medical scares from the summer and fall. I recall not having a lot of enthusiasm for the project, especially if it entailed physically making the cards as in the first two years. Despite this and other challenges, the 2010 card turned out to be one of the more whimsical designs that I’ve created.

I definitely sought about creating a playful card. My first concept of depicting me placing the star atop the Christmas tree didn’t come together because the images didn’t look great. The best pic of that shoot on Dec. 14 came out too dark:

This was the best pic from my initial effort for the 2010 Christmas card.

This was the best pic from my initial effort for the 2010 Christmas card.

So, I went back to the drawing board for another concept. Thankfully, it came together fairly quickly once I had the idea of “popping” into the card from an unexpected angle and located the needed headgear (from Wal-Mart). As I pondered how unbreakable the unshatterable ornaments were, I bought a pair of wearable reindeer antlers with a mini Santa hat.

I tried a couple of different places to shoot the primary image, including Woodstock’s Pizza. The images were just OK, but it did produce this fun, if a bit blurry, “Christmas buddy cop” pic with my friend Heather.

The Christmas buddy cop pose

The Christmas buddy cop pose

Eventually, I think I went back to my apartment to shoot the main pic with the Cybershot. My primary concern is that I wasn’t happy with my hair. Given my medical issue, my hair decided to go on a temporary vacation. At the time, I was worried that it was a symptom of a far larger problem, but thankfully the hair grew back (for now).

The 2010 card

The 2010 card

The primary pic turned out pretty dark, but Photoshop was able to salvage something usable over the neutral background of the hall last seen in the 2009 card. If you look closely, my ability to “cut out” the ball on top of the cap was pretty limited. I hopefully know how to fix that now.

When it came time to finishing the card, I think I used the text tool in Photoshop to add the seasonal message. I’ve looked at the card templates at places like Costco and online with iPhotos/Photos. Although I’ve ended up using templates over the years, I generally don’t like how they leave a limited amount of space for the photos. At the same time, the photo cards I received from other friends and family looked presentable and perhaps a little more professional than my earlier, artisan efforts.

This was the first year that I used Costco for my cards. I realized in 2009 that Costco was fairly economical for their standard-sized photo cards to the point that it was cheaper than my printing out the photos separately and pasting them on cardstock. It also saved a lot of time — I could have 50 cards and envelopes ready in a day when I would take me considerably longer to make the cards myself. The only real downside is paying for the annual membership, but I’m fairly strategic on when I renew so I only have membership when I really need it (every December).

Despite the difficulties, the 2010 card got out of the door (although they were probably late). I liked the main image so much that I usually use it as my avatar online at least once or twice whenever I’m feeling in the holiday spirit.

By the numbers:

1.94 — miles traveled for the card (although I ended up using pictures shot in my apartment.

3 — days before Christmas when I shot the primary photo for my card.

14 — number of pictures taken for the 2010 card:

The photos of the 2010 Christmas card

The photos of the 2010 Christmas card

2009 – Day 2 of the 9 Days of Christmas Cards

Continuing with my look back on nine years of Christmas cards, 2009 marks the second year and the final year of doing entirely homemade cards.

While the card production was simplified from the first year (no elaborate cutting), the main image was a bit more complicated as it featured me twice.

The theme of the card was intended to convey passing the spirit of Christmas on to others. What turned out has been described as “creepy” by a dear friend because of the black gloves in the picture (although the right glove is dark blue even if it didn’t come out that way). That was certainly _not_ my intention, but my hands weren’t photo-ready that year and I needed to improvise.

My previous blog entry on the 2009 card doesn’t go into too much detail, but I used Photoshop so I could play both giver and receiver of the tiny tree. It’s nice that retailers sell trees of all sizes — I decided to use trees sized as lawn ornaments for the card. This was my first deviation from doing holiday cards focused on Chico or Northern California, but time was short that year and I still incorporated a personal touch to the design.

I again used the family Sony Cybershot for photos. I set it up on a tripod in my apartment facing a hallway wall that I thought had sufficient light. I abstained from using the flash, especially because I wanted the Christmas lights to stand out on the tree.

My “noir” look.

Unfortunately, the light in the hallway wasn’t sufficient (at least for my camera and my personal technical ability). I turned on more lights around the hallway (which opened into the kitchen/living room) and arranged a directional light on the “set.” A friend liked the noir look of one of my test shots.

I primarily focused on getting the left side of the card right — making sure the angle and presentation of the tree was correct. As the test shots below indicate, it was difficult to get everything _just_ right (especially when working with a camera timer) but I eventually got a shot I was satisfied with.

I also tried to hide the power cord connecting to the tree’s lights. I was only partially successful, as one can see a power plug hanging from my coat sleeve.

I changed coats and gloves to shoot the right side of the card. I was worried about the shadow that the arm cast against the wall, but I was pretty confident that I could use Photoshop to edit out the shadow.

After getting my shots, I used the computer to compose the primary image. I attempted shot a neutral background as a canvas, but the final product doesn’t particularly reflect that. I remember the image came together pretty quickly as there were only really three elements. That said, doing any sort of cutout of a pine tree is a painful experience (one that I’ve repeated in the 2016 card).

The 2009 Christmas card.

The 2009 Christmas card.

For the last time, I printed out the image as prints at a local store. I switched up the white cardstock for red for a little more visual pop.

I also used a printer for my message “Spreading a little holiday cheer… and wishing you a Happy New Year.” Although it was a bit tricky to align everything correctly, I liked the clarity of the printed text although I missed the personal touch of the handwritten cursive of the previous year.

I used a glue stick to attach the photo to the card. It was time consuming and I strove to make sure the image was centered correctly.

I earlier wrote that I eliminated folded cards after 2008. My memory may be hazy — I seem to recall a fold in the 2009 card because I wrote on the inside of the card. However, I think the fact that I didn’t have a great message for the card’s interior was a key reason for moving away from folded cards.

The other reason for moving away from folded cards also included the realization of the relative economy of photo cards purchased from a warehouse store, but that’s a story for the 2010 card.

By the numbers:

0 — miles traveled to photograph the card (this was the only year so far shot entirely at home, although 2010 comes close).

3 — Trees included in the lawn decoration set.

5 — Days before Christmas when I photographed the card (again, not really enough time to get everything done).

18 — photographs taken for the 2009 card.

Day 1 – 2008 – The 9 Days of Christmas Cards

Christmas Time is here and I’m starting my annual effort to spread a little cheer. For the past nine years, I’ve been making my own holiday cards. While I’ve generally tried to follow a theme of Northern Californian elements, sometimes I’ve focused on some aspect of my life or followed whatever fancy suited me that year.

2016 will be a bit different … but mostly the same. I’m back in Utah, so the “local” theme now applies to the Intermountain West instead of Chico. Some other things that are staying the same — I shot on location this year as I did 87 percent of my previous cards AND I’m working to make sure they get to people’s mailboxes before Christmas.

To help encourage me to make my deadline, I’m doing a countdown to look back at the eight previous editions of the card culminating with the online debut of my 2016 card. I’m (unintentionally) timing this to end on Dec. 23, which will hopefully allow enough time for the new cards to arrive in the mail and for me to wrap up this holiday special before St. Nick arrives the following day. Aiding my card quest is the fact that I’ve written about four of the eight past editions of the card (to keep things fresh, I’ll be adding some pictures from years past and add some recollections).

In all the cases, I try to do something new and something fun. Sometimes the cards are planned months in advance while others come together very quickly. Procrastination rarely helps the execution of the cards, but sometimes inspiration drops a good idea on my head like Santa and a bag of presents down a chimney.

I wanted to give this to you for Christmas …

I wanted to give this to you for Christmas …

Without further ado, here’s a look at my 2008 Christmas card…

I previously wrote about my first card just after it came out and blog posts around the time detailed my creative process in developing my first Chico Christmas card.

The first card was probably one of my most ambitious ones in terms of execution. I loved the giant (functional) wooden yo-yo at the Bird in Hand store in downtown Chico and thought it would make a great sight gag.

In order to pull the gag off, I needed the front of the card to isolate the yo-yo, letting the joke reveal itself when the reader opened the card.

Inside of the 2008 Christmas card.There was a decent amount of stenciling and cutting to get the front of the card properly show the toy. After everything was cut, I needed to glue the photo of the yo-yo in the exact proper place or the illusion wouldn’t work.

I also chose a heavier white cardstock to help with the presentation (I worried that regular paper was too flimsy). If I recall correctly, the weight became a bit of an issue because the cards were right on the cusp of being too heavy for a single, first-class postage stamp. I remember not wanting to take the risk and bought a little extra postage to make sure everything go to their destination on time.

This first card was a lot of work and cost a decent amount of money (photos, paper, crafting supplies, postage, etc.), but I liked this initial effort. I wasn’t super happy with my handwriting as a key element of the card itself despite the homemade touch of it. Future cards wouldn’t feature handwritten elements (although I still pen a general message to every recipient). This is also the only folding card that I’ve made in the series — the 2009 card was still mostly handmade, but then I discovered the economy and efficiency of photo cards from a certain well-known wholesale retailer.

By the numbers:

0.71 — miles traveled to shoot the card.

5 — number of days before Christmas when I shot the principal photography (obviously not enough time).

13 — photos shot for this card on my family’s Sony Cybershot that I received from my sister. While I’m excited to share photos from upcoming cards, this one’s pictures don’t have a lot of variation to them (aside from trying to find the best angle and camera settings). Here’s a look at the thumbnails:

Here's a look at the 13 shots I took for my 2008 Christmas card at Bird in Hand in Chico, California.

Here’s a look at the 13 shots I took for my 2008 Christmas card at Bird in Hand in Chico, California.

Solving the Starbucks holiday cup conundrum

It’s been a couple of weeks since people appeared outraged about Starbucks eschewing a definitive holiday/Christmas message on its seasonal red cups in favor of a minimalist design. Instead of viewing the situation as an absolutist, I think it’s possible to find some common ground (or grounds, since we’re talking about coffee).

While I was walking through the office, I spied some of the smaller cups that Starbucks provides for people getting coffee to-go for large groups. They were the right size for my proposed solution to this seemingly intractable controversy (that people may have already forgotten after two weeks).

I “liberated” the cups and I used straightened paper clips to fashion handles so they could be affixed to another object. I then made my way to the nearest hardware store to take advantage of their Christmas tree displays.

After a few minutes of prepping, my solution was ready…

Hopefully everyone will be happy with this solution for the Starbucks holiday cup controversy.

Hopefully everyone will be happy with this solution for the Starbucks holiday cup controversy.

To paraphrase “A Charlie Brown Christmas,” I never thought it was such a bad little cup. Maybe it just needed a little love.

Another ho-hum Halloween costume, or I did it all for the burrito

A still from PSY's video "Gangnam Style" on my iPod touch. Dressing as PSY is an unrealized costume idea from a couple of years ago.

A still from Psy’s video “Gangnam Style” on my iPod touch. Dressing as Psy is an unrealized costume idea from a couple of years ago.

Halloween has come and gone. While some people strove to show off dazzling and creative costumes (or refined what is “sexy”), I once again phoned my outfit in. Although I love watching and reading of far-flung realms and imaginative characters, my efforts to tangibly submerge myself in another role have always been a bit lackluster and this year was no different.

One of the ironies of this Halloween is that I actually bought part of a costume months ago and forgot about it. By the time I remembered, I had missed the one big event where I may have used it and only donned it to get cheap eats from Chipotle.

I don’t know where my aversion to dressing up in costumes comes from, but things have been rough since trick-or-treating as a child. Part of it may stem from that I don’t necessarily want to dress up as someone that I’m not (I can easily try an accent or impersonation, but they can often be discarded with a drop of a hat without consequence). When I was in the sixth grade, people wanted me to play a drug dealer in a play for the D.A.R.E. program. I was pretty adamant in my refusal and they did something different.

In hindsight, I shouldn’t have played a drug dealer because I had no idea how to depict one, but the real reason why I didn’t want to take the part is that I didn’t want to portray such a negative character. I wasn’t extremely popular in grade school (or in high school … or in college or…) and I didn’t want to do anything that could make things worse.

Although it’s not great to say, I do consider what others might think of me if I dress up (which I view as different from people judging me for who I am). That’s why I don’t don silly masks or embrace the more cheesy parts of any given fandom.

I love “Star Trek” and frequent discussion boards about the show, but I sure as heck won’t dress up or adopt a goofy Trek-related moniker. I don’t have any problem with those who do, but it’s not for me.

I think I wouldn’t be so embarrassed to wear a costume if I had commitment to the costume and some measure of authenticity. However, I’m afraid many of my efforts would be underwhelming. For example, I would feel uncomfortable wearing an off-color foam Klingon forehead or a Starfleet uniform that’s a better fit for a bedroom than for a starship.

Since I don’t have the resources or wherewithal to commit to a truly great costume, most of my efforts in recent have been small and largely uninspiring.

It came from MySpace… "I'm not a real chef, but I played one during Halloween 2006."

It came from MySpace… “I’m not a real chef, but I played one during Halloween 2006.”

One of my last fun Halloween costumes was in 2006 when I dressed as a chef. It was easy enough to do an adequate job as I could acquire an apron and chef’s hat to complete the look. The only downside were the handful of drunken bros who asked me to cook something for them (partly because I wasn’t able to come up with a witty retort).

Since then, my best costumes were actually for events outside of Halloween. Every year, my college pep band picks a theme for the Battle of the Bands at UC Davis’ Picnic Day. I’ve generally been happy with my costumes, although wearing a bandanna for a rock ‘n roll theme was super low-key.

This is my idea of rocking out with the UCSD Pep Band at Picnic Day's Battle of the Bands. Thanks to Mike "Sparky" Sklar for the photo.

This is my idea of rocking out with the UCSD Pep Band at Picnic Day’s Battle of the Bands in 2013. Thanks to Mike “Sparky” Sklar for the photo.

The best costumes that I wore for Picnic Day were simple, but hopefully effective. For a video game theme in 2008, I donned a blue jacket, red shirt and yellow ball cap to match the title character in “Paperboy.” I also tried to bring my bike to the event, but it wouldn’t fit in my car.

The best-executed costume and prop was for a science-fiction theme in 2007. I wore a brown tank-top over a grey T-shirt to mimic the undergarments of a Colonial officer from “Battlestar Galactica.” I was proud of the prop that I made, although it wasn’t from BSG — I used PVC pipe and a black tarp to recreate the monolith from “2001: A Space Odyssey.” Although it was plastic, I definitely strove for authenticity and made sure that the dimensions of my monolith matched the one from the movie (1x4x9).

My depiction of the monolith from "2001: A Space Odyssey" on display during the 2007 Picnic Day at UC Davis.

My depiction of the monolith from “2001: A Space Odyssey” on display during the 2007 Picnic Day at UC Davis. (Photo credit to the original photographer)

Outside of Picnic Day, my costumes have been bombs. One year, I wore a florescent green safety vest for reasons so stupid I don’t want to articulate it here.

This year continued the tradition of mediocrity. I wasn’t even planning to wear a costume because I was going to remain away from the public, but I remembered that I had bought something months ago. When the last Blockbuster store was going out of business in Chico in January, I snapped up one of their polo shirts from a table of clothing for sale.

I pulled the shirt out of the closet Friday. I felt embarrassed — my concept never really advanced beyond merely wearing it. Why couldn’t I do something more creative — like wearing ghost or zombie makeup with the shirt to portray the Ghost of Abandoned Technologies Past? On the other end of the spectrum, I didn’t have the tools to make it more authentic, I never worked at Blockbuster so I had no nametag or lanyard.

There was no time to refine the costume. I hesitated to put it on, but ultimately did to go to dinner.

The things I'll wear to get a cheap burrito…

The things I’ll wear to get a cheap burrito…

Even though it was a simple blue long-sleeved shirt, it still felt tight and uncomfortable. I made it to Chipotle, where the staff was doing a great job serving the line that at times stretched out the door. Before I was able to get into the building, someone from off the street came up to me and asked me for a movie recommendation — she wanted something serious for a mother who wanted to remain in her children’s lives even if they were reluctant to.

I was busted. Although I’m relatively conversant about films, I am by no means a cinephile (especially when my tastes typically run toward light-hearted fare). Even now, I can’t think of a movie that would match her request — maybe “Little Miss Sunshine” or “Silver Linings Playbook” (with the storyline involving Robert Di Nero as the father)? I’m horrible.

I finally got the $3 burrito and had a delicious meal that supposedly helps charity (although I’m curious about how much good Chipotle’s own Chipotle Cultivate Foundation actually does).

The shirt didn’t feel so awkward at the end of the night, but I was more than happy to change out of it. I don’t know when I might ever wear that shirt again.

I wish I was able to capitalize on one idea in 2012. As indicated by the photo at the top of this entry, I would have been more than happy to don a blue tuxedo in the style of Psy and his 2012 breakout hit “Gangnam Style” (video). Authenticity would still be a factor — I’m not Korean/Korean American, don’t speak Korean and really can’t do the dance — but the song is so satirical, I think I could fit in. Psy was also a popular male Asian music figure that one could look up to (move aside, William Hung).

I thought of it too late for Halloween 2012 and there was no real opportunity to wear the blue tuxedo since then (although one site was pushing blue costume tuxedos for Halloween and New Year’s Eve celebrations).

Maybe inspiration will hit me in time for Halloween 2015.

’Twas a month after Christmas, so here’s my holiday card

The latest version of my annual holiday cards.

The 2012 version of my annual holiday card. The caption says, “Although there’s no snow, you can make a snow angel in a hot town like Chico!”

Yes, this post is late, but then again my Christmas cards were delayed again this year. What were supposed to be Christmas cards quickly became holiday cards, meant to welcome the new year. If I had delayed them any further, they would’ve celebrated Dr. Martin Luther King Jr. Day.

In addition to the usual procrastination, I was stumped about the card’s concept. Since I’ve started making my own cards, I’ve tried to either include a humorous element, something about Chico or both. It took some last-minute inspiration for me to get this year’s cards out the door.

After teasing it a few years ago, I was all set to do the “Sierra Nevada Santa” — my take on the iconic Coca-Cola Santa ads, but with local brew Sierra Nevada instead of sugar water. There were some hurdles: I don’t own a Santa suit and I started getting cold feet about the concept.

While people don’t give a second thought to the Coke Santa concept (except perhaps to remark about soft drinks contributing to obesity), I started to see some potential pitfalls with the Sierra Nevada incarnation. Although it’s all in good fun, I wondering if people would question combining beer with an iconic childhood figure. And speaking of beer, what sort of image does it sent to have a man responsible for sleighing across the world in a 24-hour period to be indulging in an alcoholic beverage? Yes, the reindeer do the flying, but the jolly old man does all the driving, so drinking and sleighing seemed out of the question.

I thought about replacing the Celebration Ale with one of Sierra Nevada’s fine gourmet mustards, but the visual of Santa spreading mustard on a cold-cut sandwich didn’t seem to work.

Also, I don’t own a Santa suit and my line on one dried up. Buying a suit would have cost at least $30 and I had to again consider how much it’s worth to do a comedy bit, especially since I would need a fake Santa beard too.

So Sierra Nevada Santa was put on ice for another year, but the concept may show up again in some different form in upcoming years. I also had another idea to do a side-by-side comparison showing Santa and me, but that concept wasn’t fully baked.

Making a karaoke confetti snow angel on the stage of Feather Fall Casino Brewing Co. during the Karaoke Rockstaz show.  (Karaoke Rockstarz image from <a href="http://www.facebook.com/KRockstarz">facebook.com/KRockstarz</a>)

Making a karaoke confetti snow angel on the stage of Feather Fall Casino Brewing Co. during the Karaoke Rockstaz show. (Karaoke Rockstarz image from facebook.com/KRockstarz)

Christmas was fast approaching and I was still stumped. Thankfully, like most things in life, karaoke provided my salvation. I was at the Karaoke Rockstarz live-band karaoke show at Feather Falls Casino when I saw the show’s MC fire off an explosive canister of confetti.

Watching the colored debris waft gently the stage floor, I started thinking about making a snow angel with the confetti. During an intermission, I asked about how much the material cost and what a confetti snow angel look like. The MC was cooperative and we took a picture of me on the stage making the snow angel.

Unfortunately, I could see some problems — with the confetti all over the floor, the snow angel image couldn’t be easily seen. Laying on top of the confetti basically crushed it, but provided little context.

Sensing I was on the right track, I continued to develop the idea. Instead of paying a kingly sum for confetti, I thought I would make my own using colored construction paper and a paper shredder. However, buying construction paper would’ve cost about $30, so I looked for cheaper options.

A stop at the nearby Michael’s turned up some wrapping paper on sale for about $2.50 each. Sold.

There were different varieties, but all I needed were green and red. I supplemented those rolls with some old Ikea wrapping paper that I’ve held onto for years.

I ran home to shred up some confetti. I saved some time by cutting off large swathes of the wrapping paper, folding them lengthwise and feeding them into the shredder. In about 30 minutes, I had a big trash bag full of red, green and gold confetti. It was about half white colored because of the obverse side of the wrapping paper.

After that, I zoomed back to an area where there would be a relatively clean floor (to help make clean up a snap). For this phase, I had my friend Evan spread the confetti while I lay on the floor and waved my arms and legs in the customary snow angel pattern. Here’s sort of what it looked like:

After the initial snow angel was made, we took some photos to show the "making of." Given my relatively unflattering pose, I opted not to use it for the card.

After the initial snow angel was made, we took some photos to show the “making of.” Given my relatively unflattering pose, I opted not to use it for the card.

We tried to parody an early scene in PSY's "Gangnam Style" video, but the results were underwhelming and perhaps a little disturbing.

We tried to parody an early scene in PSY’s “Gangnam Style” video, but the results were underwhelming and perhaps a little disturbing.

We also thought it would be funny to take a photo of paper flying into my mouth, like that scene involving PSY in the music video “Gangnam Style.” Ultimately, the photo didn’t really turn out to be very flattering and it’s too hard to understand the context (it just looks like a bunch of colored paper on a fat guy’s face on the floor).

With the initial photos done, I needed to get the card ready for publication. At the same time, I was preparing to go to San Diego for the holidays.

It took a few days to get the cards ready to go. I tried to submit a design online, but I thought it would take too long to process. Thankfully, the people at the Carmel Mountain Ranch Costco were very accommodating on an in-store rush order. The design wasn’t exactly what I wanted, but I think they turned out OK.

The cards were finished by Dec. 23. Christmas passed and a little procrastination settled in. The priority of sending the cards out fell behind spending time with family and going through some old boxes. However, I was able to get the cards mailed out the weekend before the New Year. Upon returning to Chico, I distributed nearly all of my local cards by the end of the first week of January.

As always, sending out Christmas cards is an evolving process. I think I have some good ideas for 2013, so I will hopefully be able to get the cards out sooner.

In any case, here is the 2012 card for all to enjoy. Merry Christmas and happy New Year!

Surfing Internet from train a breeze… when I could get online

Surfing the Web from the Surfliner

A window decal on a train at Los Angeles Union Station notes the arrival of Wi-Fi Internet service aboard Amtrak's Pacific Surfliner trains.

Taking the train to visit family in Southern California over the holidays gave me a chance to check out the new Wi-Fi Internet service from Amtrak. The service was convenient when it worked, but I often had problems connecting to the Web.

Dubbed Amtrak Connect, the free service is available on many regional routes including the Amtrak California services — the Pacific Surfliner in Southern California, the San Joaquin in the Central Valley and the Capitol Corridor connecting Sacramento to the Bay Area. Amtrak California rolled out the service just in time for the holiday travel season.

There was a cool surprise even before I boarded my first train. Many of the buses, which are operated by a contractor, also have Wi-Fi. When I started my trip aboard the Amtrak Thruway motorcoach from Chico to Stockton, I was able to get some work done as we sped down Highway 70. That’s something I couldn’t do if I was driving by myself.

As the San Joaquin train pulled out for Bakersfield, I sought to get online but ran into problems right off the bat. I’m not sure if it is a problem on my end, the network’s or a combination of the two.

Before getting into my difficulty, I should explain how the Wi-Fi works aboard the train. As I understand it, there is one car on the train that pulls in outside cell phone signals carrying the Internet connection. That one car then becomes the head of a local network providing the Internet connection to the rest of the cars in the train.

My issue wasn’t with the Internet connection. When it was available, it was fairly reliable and speedy for basic surfing for things such as email or Facebook. Amtrak Connect caps downloads to 10 MB and blocks some popular video/audio websites (but my Spotify streaming music app was able to make a connection although I didn’t fully test it).

There were some points where the connection lagged, but I suppose they were in areas where the cell phone networks aren’t as well established.

The biggest issue appeared to be how the Internet connection was established throughout the train. I could establish a connection in some cars, but very rarely in the cars where I was sitting for some reason. I was able to connect to the train’s network, but I wasn’t able to get the right connection to get on the Internet.

While I preferred the seats in the cars I chose (and I could do a whole series of posts about the different types of seats on these trains), I often moved to a different car for a while to get online.

I never was really able to determine what was going on. Unfortunately, I ran into this problem on nearly every train I rode during the Christmas break.

The immediate matter was that my computer couldn’t get the right Internet Protocol or IP address to connect until I moved cars, but I don’t know why. I thought it may be something on my computer because many Mac users have reported similar problems for different Wi-Fi networks (and I have had the problem at work). However, some people near me experienced the same problem.

I also thought it was possible the network ran out of addresses to give computers (but that doesn’t necessarily explain why changing cars often helped with the connection). I was riding on very full trains and I was surprised to see so many people on their smartphones and notebook computers. If that’s the case, I read it may be possible to change the network’s settings to allow more connections.

Regardless of where the problem originated, it would be nice if Amtrak Connect had some better help documents to assist people experiencing problems. Of course, if you can’t get online you may not be able to get to the documents.

When it works, the Wi-Fi is a great service to provide passengers. While many people, myself included, like to tout the ability to relax and be somewhat isolated from the hectic outside world aboard a train, Wi-Fi helps those who wish or need to stay connected or productive while traveling. It certainly helped me — I posted two blog entries while aboard the train and got the idea for this current post.


In addition to providing an amenity for passengers, I’ve read that the Internet access can also help with train operations. One component is being able to constantly relay train status data, including its location, back to a central office.

Conveniently, Amtrak Connect’s homepage provides passengers with an estimate of where the train is (although you have to reload the page to get updated locations). Unfortunately, it appears to triangulate its location based off of cell phone signals and sometimes the system gets it hilariously wrong.

This was apparent when the Pacific Surfliner sped down the coast toward San Diego. The map status showed the train running on (or under) the ocean. Based on my estimate, it was about 4.8 miles away from the actual tracks.

Rails? We don't need rails where we're going.

Rails? We don't need rails where we're going. Amtrak Connect guesses train location, sometimes to hilarious effect.