I did the math to find how much Mary Poppins’ ‘Tuppence a Bag’ would cost in 2024

Several pigeons gather on a pier piling on the Sacramento River in Old Sacramento on Saturday, Feb. 2, 2013.

Several pigeons gather on a pier piling on the Sacramento River in Old Sacramento on Saturday, Feb. 2, 2013.

I don’t know if anyone else has done this, but I’ve attempted to calculate how much prices have gone up since it cost “tuppence a bag” to “Feed the Birds” from the Disney movie “Mary Poppins.” It was a bit of an odd journey given that I was trying to figure out inflation for a currency that changed pretty drastically over the past 114 years, but I think the math makes sense.

I’ve actually crunched the numbers twice over the years. The first time was when I was hosting “Evening Jazz” on Northstate Public Radio in Northern California sometime after 2011. As a volunteer DJ, I was spinning Kurt Rosenwinkel’s take on “Feed the Birds (Tuppence a Bag)” off of “Everybody Wants to be a Cat: Disney Jazz Vol. 1.”

While the song was playing, I wondered to myself what a tuppence was and how much it would be worth in modern times.

It took a while, but I crunched the numbers in between songs and came up with a number that I gleefully shared with listeners during a station break.

Fast forward to last month when I was browsing Threads as part of my social media move away from the site formerly known as Twitter. I came across a post from user andromedacat2016 noting that the original movie was set 53 years before its 1964 release and a modern version with the same time gap would be set in 1970.

The user wondered why that question popped into their head and I replied with my random question about the inflationary impact on the tuppence. Andromedacat2016 asked if I had figured it out, so I decided it was time to do the math again.

This is what I came up with —

So my best guess involved using a Bank of England inflation calculator to estimate how much inflation there was on the tuppence up to decimalization and then calculating the new pence inflation to the current year.

  • 2d in 1910 might be 16.12d (£sd) at decimalization in 1971.
  • Decimalization would convert that 16.12d (£sd) to 6.7 new pence.
  • From there, the 6.7p would grow to 82.3p today — really 83p, due to rounding.

Still a great deal for a bag of crumbs!

As I recall from my long-ago radio shift, I think my 2011 calculation came up with something around 72p. That’s a little higher than my current guess after recent inflation, but it seems to be close.

Attempting to solve this problem was fun but challenging for several reasons:

  1. In 2011, I wasn’t sure of the year that “Mary Poppins” was set in. Thankfully, I went with  Andromediacat2016’s date this time out.
  2. What the heck was a tuppence? It’s clear now that it’s a variation of “two pence,” but the old pounds, shillings, pence system (£sd) of British currency prior to decimalization in 1971 remains a bit baffling to me. (As an aside, it’s popped up on some 1980s British TV that I’ve watched, including the “Doctor Who” story “Remembrance of the Daleks” and the Britcom “Hi-De-Hi!” which is set at a holiday camp in 1959.)
  3. Before I could get to decimalization in 1971, I had to calculate an initial 61 years of inflation. While the Bank of England’s calculator goes back to 1209 (six years before the signing of the Magna Carta!), it only allows input in whole pounds. I may have gone off track at this point, but I started with a single pound to calculate the rate over 61 years and applied it to the tuppence.
  4. When I reached decimalization (and looked back on Decimal Day via the BBC), I needed to convert the £sd value to the modern system. While this may be another point where my math may have gone astray, I think it was relatively straightforward to convert the old pence where 240 pence equaled 1 pound to the updated system where 100 new pence equalled 1 pound. At least I wasn’t trying to convert shillings, florins and crowns to decimal.
  5. From there, it was back to the inflation calculator to determine how much change there’s been over the past 53 years (again being limited by the fact the calculator only allows input of whole numbers).

While I’m hopeful that my estimate is close, there may be factors I didn’t consider that I welcome someone knowledgable to point out.

It’s certainly possible I goofed somewhere. In its article on the song, Wikipedia apparently uses an inflation template to come up with £1.29 in 2023 pounds, and I’m more than a little curious about how it reached that number. Coincidentally, that figure is closer to my 2011 calculation (adjusted for 12 years of intervening inflation).

In the end, it’s fascinating to think about how money may have changed over time and how much things might have cost 114 years ago. Eighty-nine pence (or £1.29) doesn’t seem like it would go far today, and I wonder how much two pence in 1910 would help the woman after accounting for the cost of the bag and crumbs. Indeed, I think the bag would be the biggest cost without knowing how the woman obtained the bread or subsequently prepared the crumbs.

There’s also value reflecting on the message of the song — that of a beggar woman outside St. Paul’s Cathedral selling a frivolous item ostensibly to benefit pigeons, but it’s really charity to help the elderly woman. In one verse, the lyrics include the line “Their young ones are hungry, their nests are so bare/All it takes is tuppence from you.”

As we saw in the film (and can see in real life), it’s easy for some to turn away from those in need. I know that I don’t personally rise to the occasion every time, but hopefully the tragic beauty of a song such as “Feed the Birds” will push me to reconsider (or find other avenues to help).

Flashback Fourth – Check out my July 4 ‘Evening Jazz’ from 2014

An American flag is on display at Arden Fair Mall in Sacramento, California, on Feb. 9, 2009.

An American flag is on display at Arden Fair Mall in Sacramento, California, sometime before 2009.

Many of you may know that I was a volunteer disc jockey for North State Public Radio for about eight years. From 2008 to April 2016, I was one of a rotating set of hosts for “Evening Jazz” (most often hosting on Mondays and Fridays) and sometimes “Blues People” on Saturdays. It was my third gig as a volunteer DJ, after starting at KSDT in college and having a show at WMTU in Michigan.

During my nearly eight years, I hosted on Independence Day once or twice. I recorded the July 4 episode from 2014 for my personal enjoyment.

Given the July Fourth holiday, I thought I would temporarily share that episode from my archive.

[Link]

I loved all of my shows and approached each program as an ongoing exploration of music for both myself and the audience. I don’t think I ever presented myself as an expert in any genre, just someone who loved good tunes and checking out past greats and what’s new.

Every so often, “Evening Jazz” would fall on or near a holiday. I would often take advantage of the occasion by presenting music appropriate for the day. For example, I tried to find songs from Boston and Vancouver performers during the 2011 Stanley Cup Final. Another year, I did a combined Presidents Day/Valentine’s Day episode.

The 2014 July 4 episode was a little different from my usual episodes, as it tried to encompass different elements of the holiday.

Enjoy and happy Independence Day!

Edited to take down the broadcast link.

‘New’ CurlingZone doc ‘Anything is Possible’ to debut July 4 on YouTube

The documentary "Anything is Possible" is set to debut on YouTube on Saturday, July 4, 2020, on YouTube.

The documentary “Anything is Possible” is set to debut on YouTube on Saturday, July 4, 2020, on YouTube.

I first posted this on r/curling on July 4, 2020.

CurlingZone is debuting a documentary “Anything is Possible – An American Curling Story” on YouTube at 6 p.m. ET tonight (July 4).
https://youtu.be/RqeBwXAf0Lc

By all appearances, this looks like it might be a rebranded update of “Making Curling Great Again” that first appeared a year ago. The title card for both films appears to be very similar and the YouTube page for “Anything is Possible” refers back to a “Making Curling Great Again” page on CurlingZone (with dead links to the original documentary). The description of “Anything is Possible” also sounds like it covers the same territory (curling in the United States up to Team Shuster winning gold).

When the documentary first appeared last year, many, many people disliked the overly political nature of the title, including on Reddit. That thread got only 47% upvotes and shows no overall upvotes (which is probably one of the most lukewarm responses I’ve seen on this usually friendly group). Several redditors noted that the documentary itself wasn’t overly political (and they had other critiques of the film).

Gerry Geurts started a thread on CurlingZone introducing the film and defending the choice of the title.

The title “Making Curling Great Again” was adopted as a way to take back the power of these words and try to bring people back together again, though I didn’t fully understand the depth of hurt this title had for many people as a parody of the more contentious slogan that has become a battle cry for a cause. This was strongly debated internally as to the direction, but we ultimately felt that the title fit in so many ways and we’re comfortable with trying to create conversation. We just wish it could be more constructive and less about winning and losing and the insults that flow from the debate.

Ultimately, I think a lot of curlers didn’t want to engage in that conversation because the name of the doc. Many curlers I know will share anything related to the sport, but I don’t recall seeing many shares when the original film came out. The number of views on YouTube didn’t appear to be high compared to other CurlingZone docs.

The Twine-Time blog delved deeper into the name controversy in a post last July.

Personally, I’m more willing to share info on a film entitled “Anything is Possible,” even if it is the same film (and the new name isn’t very eye-catching). I’m interested to see what is posted later today on YouTube.

Winter Olympics – Curling replays

Swedish skip Niklas Edin prepares to deliver a curling stone during a game at the 2018 World Men's Curling Championship in Las Vegas on Monday, April 2, 2018.

Swedish skip Niklas Edin prepares to deliver a curling stone during a game at the 2018 World Men’s Curling Championship in Las Vegas on Monday, April 2, 2018. Team Sweden won the silver medal for men’s curling at the 2018 Winter Olympics in PyeongChang, South Korea.

This is a re-creation of pages previously hosted by the World Curling Federation linking to replays of curling games from the 2014 and 2018 Winter Olympics. The replays are hosted on OlympicChannel.com, as of this writing.

One of the great things about the Olympic broadcasts is that they’ve recently broadcast every game from each session. At most curling events, the broadcaster picks a game from a featured sheet or two when there are four or five games happening at the same time.

I’m very thankful that the World Curling Federation, International Olympic Committee and the Olympic Broadcasting Services has made these recordings available for viewing.

PyeongChang 2018

Sochi 2014

PyeongChang 2018

Mixed Doubles – Feb. 8 to Feb. 13

Day Date Time Draw Sheet A Sheet B Sheet C Sheet D
Thursday 08-Feb 09:05 MD1 USA v OAR CAN v NOR KOR v FIN CHN v SUI
20:04 MD2 FIN v SUI KOR v CHN OAR v NOR USA v CAN
Friday 09-Feb 08:35 MD3 KOR v NOR USA v SUI CHN v CAN OAR v FIN
13:35 MD4 CAN v FIN CHN v OAR USA v KOR SUI v NOR
Saturday 10-Feb 09:05 MD5 CHN v USA NOR v FIN CAN v SUI KOR v OAR
20:04 MD6 OAR v CAN SUI v KOR NOR v USA FIN v CHN
Sunday 11-Feb 09:05 MD7 NOR v CHN FIN v USA SUI v OAR CAN v KOR
20:04 MDTB CHN v NOR (Tie-breaker)
Monday 12-Feb 09:05 MDSF CAN v NOR (Semi-final)
20:04 MDSF OAR v SUI (Semi-final)
Tuesday 13-Feb 09:05 MD Bronze NOR v OAR (Bronze Medal game)
20:04 MD Gold CAN v SUI (Gold Medal game)

Women’s tournament – Feb. 14 to Feb. 25

Day Date Time Draw Sheet A Sheet B Sheet C Sheet D
Wednesday 14-Feb 14:05 W1 JPN v USA OAR v GBR DEN v SWE SUI v CHN
Thursday 15-Feb 09:05 W2 CAN v KOR DEN v JPN CHN v OAR GBR v USA
20:04 W3 CHN v GBR CAN v SWE USA v SUI KOR v JPN
Friday 16-Feb 14:05 W4 DEN v CAN KOR v SUI X SWE v OAR
Saturday 17-Feb 09:05 W5 SUI v SWE OAR v USA JPN v CHN DEN v GBR
20:04 W6 OAR v JPN CHN v DEN KOR v GBR USA v CAN
Sunday 18-Feb 14:05 W7 X GBR v SWE CAN v SUI CHN v KOR
Monday 19-Feb 09:05 W8 USA v DEN JPN v CAN SWE v KOR OAR v SUI
20:04 W9 GBR v SUI DEN v OAR CHN v USA JPN v SWE
Tuesday 20-Feb 14:05 W10 CAN v CHN USA v KOR GBR v JPN X
Wednesday 21-Feb 09:05 W11 KOR v OAR SWE v CHN SUI v DEN CAN v GBR
20:04 W12 SWE v USA SUI v JPN OAR v CAN KOR v DEN
Friday 23-Feb 20:04 W KOR v JPN (Semi-final) SWE v GBR (Semi-final)
Saturday 24-Feb 20:04 W JPN v GBR (Women Bronze Medal game)
Sunday 25-Feb 09:05 W KOR v SWE (Women Gold Medal game)

Men’s tournament – Feb. 14 to Feb. 24

Day Date Time Draw Sheet A Sheet B Sheet C Sheet D
Wednesday 14-Feb 09:05 M1 DEN v SWE CAN v ITA KOR v USA SUI v GBR
20:04 M2 CAN v GBR KOR v SWE SUI v ITA NOR v JPN
Thursday 15-Feb 14:05 M3 USA v ITA NOR v CAN GBR v JPN DEN v SUI
Friday 16-Feb 09:05 M4 X ITA v DEN NOR v KOR SWE v USA
20:04 M5 JPN v SUI SWE v GBR DEN v USA CAN v KOR
Saturday 17-Feb 14:05 M6 KOR v GBR SUI v NOR CAN v SWE JPN v ITA
Sunday 18-Feb 09:05 M7 NOR v DEN USA v JPN X SUI v CAN
20:04 M8 SWE v JPN DEN v KOR ITA v GBR USA v NOR
Monday 19-Feb 14:05 M9 ITA v KOR SWE v SUI USA v CAN GBR v DEN
Tuesday 20-Feb 09:05 M10 GBR v NOR JPN v CAN KOR v SUI ITA v SWE
20:04 M11 SUI v USA NOR v ITA JPN v DEN X
Wednesday 21-Feb 14:05 M12 DEN v CAN GBR v USA SWE v NOR KOR v JPN
Thursday 22-Feb 09:05 M SUI v GBR (Men Tie-breaker)
20:04 M SWE v SUI (Semi-final) CAN v USA (Semi-final)
Friday 23-Feb 15:35 M SUI v CAN (Men Bronze Medal game)
Saturday 24-Feb 15:35 M SWE v USA (Men Gold Medal game)

Sochi 2014

Women’s tournament – Feb. 11-21, 2014

Day Date Time Session Sheet A Sheet B Sheet C Sheet D
Monday 11-Feb 14:00 W1 CHN v CAN SUI v USA SWE v GBR RUS v DEN
Tuesday 12-Feb 09:00 W2 SUI v DEN SWE v CAN RUS v USA KOR v JPN
19:00 W3 GBR v USA KOR v SUI DEN v JPN CHN v RUS
Wednesday 13-Feb 14:00 W4 JPN v RUS USA v CHN KOR v SWE CAN v GBR
Thursday 14-Feb 09:00 W5 X CAN v DEN CHN v GBR SUI v SWE
19:00 W6 SWE v DEN RUS v KOR SUI v CAN JPN v USA
Friday 15-Feb 14:00 W7 KOR v CHN GBR v JPN USA v DEN RUS v SUI
Saturday 16-Feb 09:00 W8 CAN v JPN CHN v SWE X GBR v KOR
19:00 W9 USA v SWE CAN v RUS GBR v SUI DEN v CHN
Sunday 17-Feb 14:00 W10 DEN v KOR JPN v SUI SWE v RUS USA v CAN
Monday 18-Feb 09:00 W11 RUS v GBR KOR v USA JPN v CHN X
19:00 W12 CHN v SUI DEN v GBR CAN v KOR SWE v JPN
Wednesday 20-Feb 14:00 W GBR v CAN – Semi-final SWE v SUI – Semi-final
Thursday 21-Feb 12:30 W GBR v SUI – Bronze Medal Game
17:30 W SWE v CAN – Gold Medal Game

Men’s tournament – Feb. 11-22, 2014

Day Date Time Session Sheet A Sheet B Sheet C Sheet D
Monday 11-Feb 09:00 M1 RUS v GBR SUI v SWE DEN v CHN GER v CAN
19:00 M2 USA v NOR DEN v RUS CAN v SUI SWE v GBR
Tuesday 12-Feb 14:00 M3 CAN v SWE USA v CHN GBR v GER NOR v RUS
Wednesday 13-Feb 09:00 M4 DEN v USA NOR v GER X CHN v SUI
19:00 M5 GER v CHN SUI v GBR RUS v CAN DEN v SWE
Thursday 14-Feb 14:00 M6 SUI v RUS CAN v DEN NOR v SWE GBR v USA
Friday 15-Feb 09:00 M7 X SWE v CHN USA v GER CAN v NOR
19:00 M8 GBR v DEN RUS v USA CHN v NOR SUI v GER
Saturday 16-Feb 14:00 M9 SWE v GER DEN v SUI CAN v GBR RUS v CHN
Sunday 17-Feb 09:00 M10 USA v CAN GBR v NOR SWE v RUS X
19:00 M11 NOR v SUI CHN v CAN GER v DEN USA v SWE
Monday 18-Feb 14:00 M12 CHN v GBR GER v RUS SUI v USA NOR v DEN
Tuesday 19-Feb 09:00 M NOR v GBR – Tie-breaker
Wednesday 20-Feb 19:00 M SWE v GBR – Semi-final CAN v CHN – Semi-final
Friday 22-Feb 12:30 M CHN v SWE – Bronze Medal Game
17:30 M CAN v GBR – Gold Medal Game

Getting the joke at the Continental Cup

Mixed doubles during Draw 5 of the 2019 Continental Cup in Las Vegas on Friday, Jan. 18, 2019.

Mixed doubles during Draw 5 of the 2019 Continental Cup in Las Vegas on Friday, Jan. 18, 2019.

Watching curling in person can be a unique experience, especially at this weekend’s Continental Cup in Las Vegas. Watching with several thousand enthusiastic fans who are knowledgeable about the game really takes it up the next level.

Watching curling in person offers fans a chance to watching multiple games at the same time (versus TV focusing on one game with highlights from the rest). That increases the likelihood of watching an interesting play develop.

At the same time, it can be a little daunting for a newer fan. The first international competition I attended was the 2018 World Men’s Curling Championships, also in Vegas. There were four sheets in play (as opposed to three here this weekend). It was easy to focus on a specific sheet and be a little late noticing something interesting happening elsewhere on the ice.

I had an easier time watching with the three sheets in play this weekend, but I still missed one or two key plays.

If you can’t make it to Vegas for the final two days of the competition, watching a curling competition on a screen does have its advantages especially if the broadcasting team clicks with the audience. Certainly the TSN crew airing the Continental Cup gets a lot of kudos. Fans in the U.S. can watching online on ESPN3 (or on Curling Canada’s YouTube channel about two days after each individual event airs).

Some fans in the audience get the best of both worlds — watching in person and listening in on the TSN broadcast team of Vic Rauter and former Olympians Cheryl Bernard and Russ Howard. Fans who purchased tickets to every event received a headset that allowed them to listen to the TSN feed.

Fans who bought tickets to the entire event received ear buds that allowed them to listen to the network broadcast in the arena.

Fans who bought tickets to the entire event received ear buds that allowed them to listen to the network broadcast in the arena.

Apparently, a lot of people bought this package. At some points during the competition, most of the audience erupted in what appeared to be spontaneous laughter. It wasn’t necessarily in response to something happening on the ice (although some of the athletes like to joke around and fans indulge them with laughs).

I quickly wondered if there was some joke that I was missing. That was literally the case — it appears everyone tuning into the TSN broadcast was able to hear some quip and reacted appropriately. (Sample joke after the camera spotted a couple dressed as characters from “The Flintstones” — There’s Fred and Wilma. And Pebbles is on the ice. That’s relatively funny and super corny if you’re a curling fan)..

I was a little sad that I missed the joke, but it definitely shows how many diehard curling fans are in the audience.

On ‘The Good Place,’ Michael is failing his ethics test

In a screenshot taken from a third-season episode of "The Good Place," Janet and Michael discuss what to do to help their four friends. Screenshot captured for criticism and commentary.

In a screenshot taken from a third-season episode of “The Good Place,” Janet and Michael discuss what to do to help their four friends. Screenshot captured for criticism and commentary.

So, this post contains spoilers about the TV series “The Good Place” through the episode that aired Oct. 11. It will also discuss elements of the show from past episodes, so caveat emptor.

One thing stuck with me at the end of the last aired episode, “The Snowplow.” Simply put (and without major spoilers) — Michael failed the Trolley Problem.

Continue reading

A comment on commenting systems, specifically Kinja

My Kinja profile pre merger

My Kinja profile pre merger

It seems like there are very few good commenting systems on the Internet. Based on my experience, the free or low-cost services can be very barebones, sluggish or just a pain to use (I guess you get what you pay for). After being saddled with Facebook Comments for several years, I was happy when my previous employer switched to Disqus. It’s not perfect, but it was the service I was most familiar with and it offered a fairly robust series of moderation tools that I _definitely_ put to use.

I no longer have to moderate comments on a regular basis but I’m still partial to Disqus, especially because it’s the system used on one of my favorite websites — The A.V. Club. Commenters there have a love-mostly hate relationship with Disqus, particularly during the service’s hiccups. At the same time, A.V. Club stories garner dozens and hundreds of comments and Disqus (mostly) handles the workload.

Unfortunately, that’s apparently about to change in the next few months. In the past few years, The A.V. Club and its sister publication, The Onion, were purchased by Univision. The Spanish-language broadcaster has been expanding into different sites and also added the Gizmodo network (formerly Gawker). One of Gizmodo’s assets is a content management system called Kinja.

Based on previous media reports, it appears that The Onion and A.V. Club will move over to Kinja. Although there wasn’t official confirmation at the time, it’s started a series of comments on A.V. Club. (NOTE: The move has been announced after I first wrote a draft of this post and is taking place Aug. 23.)

In a recent comment, someone asked what was so bad with Kinja. Here was my stab at a response —

I’m not sure about _all_ the objections about Kinja, but the biggest annoyance for me is that posters and their initial posts start off in a “pending” status.

When you’re in pending status, your comment is out of view unless the reader clicks on “View Pending.” Even then, the pending comment is displayed in gray and tagged “PENDING APPROVAL” to reinforce how “pending” it is.

Posts can be moved out of pending if they get enough likes/stars. I also believe that the posters can earn a trusted-sort of status but the process of how this is done isn’t well explained.

I must admit I haven’t seen _too_ much spam on Kinja sites lately, but trolls still abound. Generally, the system puts up unnecessary hurdles to interaction.

All in all, it’s a clunky system. Also, as I understand it, It’s the underlying content management system for the blogs that use it (like Deadspin). It makes it easier to swap content between sites, but they all look bland and cookie-cutter.

For as much as people gripe about Disqus on A.V. Club, the users there have built a vibrant community centered around a common love of pop culture. It’s gotten a bit more combative as the site has published more politically focused articles (which seems somewhat understandable, given the current president’s symbiotic, yet toxic relationship with the media). The comment area has also remained a reliable fixture of the site, even as it undergoes changes (with some longtime features being cut and some dubious elements added — including some sponsored content that the commentariat lustily mocked).

Despite the increasing politicization, The A.V. Club comment area remains a mostly positive forum full of inside jokes, truly awful puns and considerable passion. I sincerely hope that the switch to Kinja doesn’t negatively affect this oasis.

The20: ‘La La Land’ is a nice place to visit…

The Los Angeles skyline as seen from the Getty Center in December 2014.

The Los Angeles skyline as seen from the Getty Center in December 2014.

I’ve seen “La La Land” twice, so I think it’s safe for me to venture an opinion. It’s interesting that jazz plays such a interesting role in the film as one of the life passions that one of the lead characters pursues. If I were to compare “La La Land” to a jazz piece, I would say that there are some interesting themes, but the ensemble relies on the same beat too often. 

The film contains a lot of enjoyable elements, but it doesn’t necessarily gel — especially at the end, when such cohesion is needed.

The film, being set in Los Angeles and providing several fun, brightly colored musical numbers, inevitably draws on artificial constructs of filmmaking. Unfortunately, writer and director Damien Chazelle seemed to lean on these constructs too often and it became distracting.

For example, it’s not an uncommon staging technique (especially in theater) to isloate people by placing them in a spotlight and fading the lights around them. Although there are other ways to reproduce the same effect more naturally in cinema, it’s not a bad way help heighten an emotional moment.

Unfortunately, repeating the technique about 10 times in a two-hour film greatly diminishes its impact and ultimately takes the viewer out of the story.

It may be that Hollywood-centric stories generally draw from a general pool of cliches and expectations that other L.A. films have established, built upon and distorted over the decades. “La La Land” draws on these expectations, but doesn’t seem to exceed them. 

This was especially clear when Stone’s actress character is called into an audition reminded me of the end of “The Muppet Movie” where Kermit and the gang finally gain audience with a studio exec and sign “The standard rich and famous contract.” While Stone is winning in that scene, it doesn’t really go beyond ground tread by frogs and pigs about 40 years ago.

Chazelle can have a deft hand behind the camera. That’s readily apparent in the showstopping opener, “Another Day of Sun,” which was shot in a single, flowing take over two rows of stopped cars on a Southern California highway interchange. The selection of shooting locations is also a fun trip around an idealized Los Angeles, including the Griffith Observatory and the currently closed, but fondly remembered Angels Flight funicular railroad. 

The energy of the opener and the subsequent song helping to establish the female lead lend the film a tremendous amount of energy. This energy seems to fade gradually as the film progresses into the story between Emma Stone’s Mia and Ryan Gosling’s Sebastian.

Although music remains a present campanion through the film, if often takes a backseat to the drama of Mia and Sebastian’s courtship and the ultimate fate of the relationship.

In the climax of the relationship storyline, music plays in the background until it suddenly stops on a critical beat of the dialogue. The song’s sudden silence adds a unique texture to the scene in a way that feels more natural than the camera blocking for the scene.

The camerawork during these scene — an argument — plays up a common filmmaking technique. The scene starts with the two characters in the frame together — even when one character is speaking and facing the camera, the other character is still in the frame.

This shifts as the argument builds tension. The couple stops sharing the frame as Chazelle isolates each character — helping to signify the growing distance in the relationship. I think it was a fascinating decision to show close-ups of Mia and Sebastian’s faces, allowing the emotions on each of the actors’ faces to unfold in grand scale.

Ultimately, I don’t know how effective the scene is because of relying on a standard technique.

I love that Chazelle deploys different camerawork depending on the scene, although I wonder if it wholly comes together. The final number, a medley sequence recounting the events of the film if they had gone differently, is exhiliarating. It makes a play for the viewer’s heart, but it didn’t quite work for me. It relies on there being a great love story at the core of the film and I don’t think that ever fully took root. 

There’s enough to “La La Land” to make me want to visit, but I’m not looking to stay.

3 stars out of four.

Written in 40 minutes.

Vital discussion on media consolidation not aided by false quip

Yes, Comcast is a huge conglomerate, but it and 5 other companies really own 90 percent of _all_ media?

Yes, Comcast is a huge conglomerate, but does it and 5 other companies really own over 90 percent of _all_ media?

It is ironic that a letter to the editor about media literacy would contain a wild, unsubstantiated claim about the media. Both the Enterprise-Record and the Chico News & Review ran a letter from Richard Sterling Ogden promoting a community radio program focusing on media literacy. Unfortunately, both copies of the letter ran the claim that “Six corporations own over 90 percent of media…” This claim has been floating around for years and, as far as I can tell, it’s a bit of easily repeated hokum that doesn’t have a scintilla of proof.

It’s frustrating when these unfounded and demonstrably false claims are repeated without any verification because it can diminish otherwise valid concerns about media consolidation. Because I loathe to see inaccurate, feel-good noise drowning out valid, useful information on the Internet, I often respond whenever I see this unproven claim repeated and taken as gospel (Here’s an example from Business Insider). What follows is generally what I post.

The simplicity of the statement “six corporations own over 90 percent of media” is its undoing because “media” could mean everything, including print, radio, broadcasting, recorded music, cinema, pay-TV, online media, etc., in every country across the world. Six corporations may have their fingers in many of those categories, but not all, and not in all countries.

Even if you generously narrow the definition of “media” to just the United States, one can quickly deduce that there’s no apparent merit to the claim.

For example, of the 1,774 full-power TV stations in the United States, about 20 percent of them are public television stations. Public television stations are licensed by various schools, colleges, non-profit entities — not, as far as I can tell, the nefarious six corporations.

The remaining 80 percent is less than 90, even if the rest of them were owned by these corporations (which they’re not). Yes, most TV stations air programming from broadcasters like Disney-owned ABC, CBS Corp. or Comcast-owned NBC, but the actual stations are owned by different companies. There are only about 79 stations owned and operated by the sinister six — that’s just 4.5 percent of the total number of stations. Again, 4.5 percent is not 90 percent.

The linked table itself acknowledges that the six companies control 70 percent of cable networks. I don’t have the time to verify that claim, but it’s not necessary because 70 percent isn’t 90 percent.

I could do the same thing for radio stations, newspapers and news websites. When you add them all up, I don’t think you’re going to get to 90 percent.

Ultimately, people who decry the potential for mass manipulation shouldn’t engage in it themselves.

Who had the most airtime during the GOP debate? Advertisers.

Here's a breakdown of how much airtime each candidate, and advertisers, received during Thursday's GOP presidential candidate debate aired on Fox News Channel.

Here’s a breakdown of how much airtime each candidate, and advertisers, received during Thursday’s GOP presidential candidate debate aired on Fox News Channel.

Thursday’s debate of Republican candidates running for president in 2016 on Fox News Channel turned out to be pretty exciting. While most of the post-debate analysis has been focused on what the 10 candidates said, some are looking at how much airtime each candidate received. I took it a step further and considered how many commercials aired during the program.

My findings? Advertisers handily won the airtime battle.

I didn’t have a stopwatch, but based on my review of the broadcast, I estimated Fox News aired a total of about 16 minutes of commercials during six breaks. If it’s correct, that means that commercials took up a larger portion of the 2+ hour-long debate than any of the individual candidates. That’s more than current frontrunner Donald Trump’s 11 minutes and 14 seconds, as calculated by The New York Times. Ads had nearly triple the airtime of Wisconsin Gov. Scott Walker, who was one of the leading candidates.

Since Fox News was running the show, it could and did take commercial breaks during the event’s scheduled two-hour running time (it ran over by about four minutes). During the first break after about 30 minutes, The New York Times’ graphics department tweeted a breakdown of how long each candidate spoke during the initial segment.

I was interested to see how little time some of the candidates received, especially compared to Trump, who has become a major attraction in this election’s early going. By that point, each candidate had relatively little time to speak — Walker got only 34 seconds, but even Trump got less than two minutes. I was amused by Fox News airing commercials during a civically-oriented event, especially because I’m used to commercial-free debates before the main general election (less than 15 months away!). I was curious if Fox News would have more commercial time than airtime for some of the candidates.


Ultimately, I was surprised to see that it’s likely that advertising outpaced _all_ of the candidates instead of just a few.

I didn’t have a good way of keeping time of the commercials during the debate, so I tried to collect the data after it ended. Thankfully, I was able to find a Washington Post transcript of the event and a YouTube user’s upload of the entire debate sans ads (that YouTube link may be yanked down due to possible copyright infringement).

The video was 1 hour, 49 minutes. Thanks to Fox News showing the time on its rotating channel logo, I could see the recording started at about 5:58 p.m. Pacific daylight time and ended after 8:04 p.m. PDT — about 2 hours, 6 minutes. My math determined there was a 17-minute difference between the two durations. I subtracted about a minute to account for short teaser promos that the YouTube user also edited out, but I don’t have a firm idea of how long those teasers really were.

The transcript indicates there were six commercial breaks during the broadcast. If the breaks were of equal length, each one would be 2 minutes, 40 seconds. It’s plausible that there were 15 total minutes of ads — that would make each break about 2 minutes, 30 seconds.

So, by my estimate, Fox News aired 15 or 16 minutes of ads. By comparison, here’s the final airtime tally as calculated by the Times:

Although advertising time dominated over the candidates, 15 to 16 minutes of ads over a two-hour period (or 8 minutes per hour) is extremely light by today’s broadcasting standards. It’s common for networks to air 18 to 20 minutes of commercials an hour. We could have seen nearly 40 minutes of ads during this two-hour event.

I initially lamented the intrusion of advertising into a civic event, but many people noted the breaks were relatively short and some enjoyed what was being advertised. On the other hand, some were frustrated by the total number of breaks in the broadcast.

While we may argue which presidential candidate won the debate, Fox News and advertisers seemed to win the night as there were predictions of record-breaking cable news audiences.