Missing New Year’s Eve tradition brings down party at Salt Lake City mall

A view of Olympic Plaza at The Gateway in Salt Lake City on Dec. 31, 2018.

After over a month of Christmas tunes, it’s time to bust out all of those classic New Year’s tunes like …

… um, I can think of one New Year’s song — “What Are You Doing New Year’s Eve?” as performed by Ella Fitzgerald. I’m sure there are more New Year’s songs, but that’s the one that leaps to mind.

”What Are You Doing New Year’s Eve?” is an apt question. While most people want to be home for Christmas, New Year’s Eve destinations can vary wildly — especially depending on one’s willingness to stay up until midnight.

This year, I may wind up on the couch (or at karaoke at Paxton Pub in South Salt Lake), but I probably won’t go to the Last Hurrah! at The Gateway shopping center in downtown Salt Lake.

I generally had an enjoyable time during my one visit in 2018, but the event skipped a key New Year’s tradition at midnight that disappointed me and will likely dissuade me from returning this year. No, it wasn’t sharing a kiss with a date.

For those that don’t know, The Gateway was originally a bougie and chic outdoor shopping center based around the former Union Pacific Depot train station on the western edge of downtown. It’s been struggling in recent years, especially after a bougie-er and chic-er mostly outdoor shopping center called City Creek opened atop the rubble of the former Crossroads Plaza and ZCMI Center malls a few blocks east (presumably they cleared the rubble).

In recent years, The Gateway operators have tried various ways to encourage crowds to visit, particularly by hosting community events like New Year’s Eve.

Since I didn’t have any plans in 2018, I decided to give the Last Hurrah a shot. I planned a little carefully — starting with bundling up for the cold. I also parked near the Delta Center (then Vivint Smart Home Arena) on city streets a couple blocks away, so I didn’t have to deal too much with traffic after the event.

It was a starkly cold night with no snow, but spirits seemed high among the crowd that started small and grew right up until midnight. There were food and drink vendors set up along the main road through the heart of the shopping center, but I didn’t linger as I was on a fairly tight budget and it was chilly.

Shelter was provided in the form of vacant storefronts that had been repurposed as pop-up bars and karaoke lounges. The spaces had been stripped down to the walls, but were gussied up with decorations like balloons and colorful lights.

A crowd gathers in a vacant storefront transformed into a pop-up bar during the Last Hurrah 2018! at The Gateway in Salt Lake City on Dec. 31, 2018.

It was clever to reuse the storefronts, but it was also slightly depressing how many retail spaces were available. There were signs of the struggling mall all around, including a Sur La Table holding a going out of business sale. One of the largest tenants appeared to be WeWork. It’s not there anymore (although the struggling company apparently still has space nearby).

There were also a lot of temporary barriers promising upgrades, but I’ve never really checked to see if the upgrades were finished.

While repurposing closed stores did much to create a lively atmosphere for the event, the fenced-off areas were a bit of a bummer.

A closed-off area at The Gateway featured a large banner promising upgrades during Last Hurrah 2018! at The Gateway on Dec. 31, 2018. It’s unknown if the upgrades were ever completed.

The barriers also got me thinking about what used to be in certain locations. I remember there being a small, slightly depressing food court in 2016 — where did that go? There is a more prominent restaurant row that still offers a decent number of casual eateries, but the disappeared food court featured more fast food options.

Throughout the evening, I tended to gravitate toward the indoor spaces to stay relatively warm. I would normally be a fiend for karaoke, but the lines looked long at many of the spaces and I don’t think I bothered signing up.

The biggest pop-up bar was pretty bustling and I think there was a band. Otherwise, it was an OK communal spot. I also tried an underwhelming beer from Salt Flats Brewing Co. for the first time. I was so unimpressed by the beverage, I haven’t sought it out since.

As midnight neared, I made my way toward Olympic Plaza to find a good viewing position for the live music and the fireworks. Crowds also flocked to some fire pits scattered around the plaza that provided a little relief from the frigid cold.

Event goers gather around one of the large fire pits set up around Olympic Plaza during Last Hurrah! on Dec. 31, 2018, at The Gateway in Salt Lake City.

The music was OK for these types of public events. The band played a mix of classic rock and country tunes, but I don’t recall much of their performance five years later.

The band kept rocking up until midnight when there was the traditional countdown with added fireworks. My heart soared a bit as the crowd counted down in unison and then celebrated the start of 2019.

My heart sank back to earth when I realized that they weren’t going to sing “Auld Lang Syne.” I started singing what I knew of the song at a normal volume, but I gradually lowered my voice to sotto voce when it became obvious that no one else was singing.

I really missed the group singing “Auld Lang Syne.” I guess it’s one of those traditions that you see every year on TV and want to re-create wherever you happen to be at midnight, even if you don’t remember all the words. It’s also a moment of collective celebration and catharsis that seems to be growing increasingly scarce over the years.

At the same time, traditions are often meaningful because we ascribe meaning to them. For the vast majority of people in the Last Hurrah! crowd, perhaps being in downtown Salt Lake City for New Year’s Eve is a tradition or will be in the years to come.

For me, I’d like to keep the tradition of singing “Auld Lang Syne” for the sake of old times. Also, taking a cup of kindness sounds a lot tastier than that Salt Flats beer.

So this year, I’ll probably be skipping Last Hurrah! rather than take the chance of being disappointed that there’s no “Auld Lang Syne.” Staying closer to home may be preferable, especially because I have to work relatively early on New Year’s Day (before going to celebrate the new year with relatives — a family and cultural tradition that reaches back decades).

On the other hand, there’s Laser Taylor Swift at the nearby Clark Planetarium. Maybe I’ve just got to “Shake it Off.”

In any event, I wish everyone a joyous New Year and a glorious 2024!

Mapping my journeys from sea to shining sea

An iPad screenshot shows a heat map from Google Photos indicating where photos had been taken based on geotagging or Google determining identifiable landmarks.

An iPad screenshot shows a heat map from Google Photos indicating where photos had been taken based on geotagging or Google determining identifiable landmarks.

With this year’s Independence Day celebrations fading into memory, I was thinking about the fact that I’ve had the opportunity to travel across great swaths of this wonderful and beautiful nation. In one sense, I’ve been everywhere (man) — from coast to coast to coast to coast. In another, I haven’t been to nearly enough destinations.

I’ve wanted to write about the map feature in the Google Photos app (Android and iOS) for quite some time, but it was hard for me to summarize why I feel this feature is so amazing. The Fourth of July celebrations brought this picture into focus as I realized that I’ve been able to visit so many different destinations, as specified in many of the songs about our nation.

The first song that came to mind was “This Land is Your Land” by Woody Guthrie. This song stands out strongly in my memory in part because we sang it every morning in kindergarten when I was living in Southern California.

A photo of the author in front of a pair of redwood trees at the Muir Woods National Monument in Mill Valley, Calif, on May 8, 2016.

A photo of the author in front of a pair of redwood trees at the Muir Woods National Monument in Mill Valley, Calif., on May 8, 2016.

For as encompassing as the song is, “This Land is Your Land” mentions only four specific destinations and they’re in the first verse — “From California to the New York island/From the redwood forest to the Gulf Stream waters.”

Of those four, admittedly broad locales, I realized that I’ve been able to either visit or live in all four over the course of my life. Unfortunately, the map feature in Google Photos doesn’t reflect this — my trips to New York and the coasts of Texas, Florida, Georgia and South Carolina all predate when we all carried cameras with us on a daily basis and where we could take endless numbers of photos without worrying about loading or developing film (so before the iPhone, basically).

Using the photos that are uploaded to the site/app, Google Photos generates a heat map based on the location data in the user’s photos plus whatever identifiable landmarks Google can identify in the images itself. The features is accessible under the search menu. It shows up as “Your map” (but it’s not available on the desktop version of the app).

A screenshot shows the Places map in Apple Photos.

A screenshot shows the Places map in Apple Photos.

I will note that Apple Photos also has the option of showing photos based on where they were taken, but I don’t find Apple’s solution as engaging or appealing as Google’s. Apple Photos shows thumbnails based on location. Zooming in will increase the number of thumbnails, but it seems clunky and inelegant compared to Google’s heat map.

The heat map evokes memories of past travels, family reunions and other adventures. I’m agog seeing some of the paths that I’ve taken over the past 39 years.

It evokes the spirit of roaming and rambling from Woody Guthrie’s song. There’s also some of the energy from the burgeoning lists of destinations called out in songs like “I’ve Been Everywhere” or “Living in America.”

The map displayed by Google Photos also reminds me of the map from “The Voyage of the Dawn Treader,” by C.S. Lewis. In that book from “The Chronicles of Narnia,” a magician gives the captain of the titular ship a map of the ship’s voyage to that point. The map was so detailed that when one looked closely with a magnifying lens, they could see accurate drawings of the actual place albeit at some distance. On the other hand, the map was incomplete in some areas because it could only depict where the ship had traveled.

The Google Photos map can feel like magic at times, even though it is simply a matter of technology and information (although Arthur C. Clarke did say something about technology and magic…). Zooming in on the map offers some joy as I can see the areas where I’ve been able to visit. Like the magician’s map from “Dawn Treader,” it can show documented locations in remarkable detail but be incomplete in areas lacking photos.

A screenshot from Google Photos shows a map indicating where photos were taken during a flight from Salt Lake City to San Diego in October 2016. Thumbnails of the photos from the trip are displayed on the right side of the iPad application.

A screenshot from Google Photos shows a map indicating where photos were taken during a flight from Salt Lake City to San Diego in October 2016. Thumbnails of the photos from the trip are displayed on the right side of the iPad application.

When one zooms in far enough, one can sometimes see individual points along a trip, which can be an interesting way to relive a past journey. At other times, the data can be a bit of a muddled mess — good luck sorting through the 2,800 photos I’ve taken over the course of six years around the venue where I curl, the Utah Olympic Oval in Kearns. The Oval is my most-photographed location by far.

A screenshot shows a heat map from the Google Maps app showing the approximate location of 2,700+ photos taken in and around the Utah Olympic Oval in Kearns, Utah.

A screenshot shows a heat map from the Google Maps app showing the approximate location of 2,700+ photos taken in and around the Utah Olympic Oval in Kearns, Utah.

The heat map of the Utah Olympic Oval also exposes some inaccuracies with the location data. GPS can give a good approximation of where a photo was taken (or where your phone is at a given point), but it’s not 100% accurate all the time. Some of the photos that the map says were taken outside the building were very much taken _inside_ the building (the ice is usually a giveaway, particularly in the summer).

It’s amazing that over 27,000 of my photos have been tagged — it’s probably about 95% of the photos that I’ve ever taken in my life. The vast majority of photos have tags because I took them with a smartphone with GPS. That era essentially started for me in September 2013 with an iPhone 5 issued for work (I bought a Samsung Galaxy SII in April 2013 but it didn’t have a data plan).

For the earlier era where photos were taken with a film camera, a digital point-and-shoot, a “dumb phone” or a feature phone, I’ve had to go back and manually map where I took the photos. That process is inevitably incomplete — there are some places that I don’t remember exactly where I was or there are photos where it doesn’t make sense to tag (including photos of loved ones taken by others but I was not actually present for).

Before tonight, I didn’t know how many photos were tagged by Google based on its ability to identify landmarks. When I first discovered that Google was attempting to locate photos way back in 2017, the process could be hit-or-miss. For example, I had taken a photo of a train car during a 2009 trip through California. For some reason, Google thought the photo was taken in Kunming Shi, China. It’s northwest of Vietnam — and nearly 7,500 miles from the nearest Amtrak stop.

Just a bit off the mark. in 2017, Google Photos thought this photo of an Amtrak train car was taken in China — about 7,500 miles from where it was actually taken.

Just a bit off the mark. In 2017, Google Photos thought this photo of an Amtrak train car was taken in China — about 7,500 miles from where it was actually taken.

Since then, Google has appeared to get better as guessing where I might have been. It’s been interesting to take photos or videos during plane trips (when the phone is supposed to be in airplane mode) and to later see that Google had apparently located where they had been taken (again assuming that I wasn’t a dummy and I remembered to put the phone in airplane mode during the flight).

For example, here’s a screenshot of a photo I took of the Salton Sea. Google Photos was able to correctly identify the location.

A screenshot shows a photo taken in September 2021 from an airplane showing the Salton Sea and an estimated location by Google Photos.

A screenshot shows a photo taken in September 2021 from an airplane showing the Salton Sea and an estimated location by Google Photos.

Apparently, Google Photos has estimated locations for about 6,200 of my images. Interestingly, it doesn’t include some of the aerial photos of the St. George area that I thought Google was able to place. That must mean that I was an insensitive jerk and didn’t use airplane mode during that trip. Whoops.

By the way — It may seem creepy for Google to have so much location data and it can be. Unfortunately, it appears that Google Photos only has an option to remove the estimated location data. As Google notes, “If the location of a photo or video was automatically added by your camera, you can’t edit or remove the location.” In that case, it seems that the best option is to disable location data on the phone/camera _before_ taking the photo.

I don’t necessarily mind saving location data because I find it to be a useful set of information. I do try to be selective in the images that I share, but if I needed to be extra careful, I would need to take additional steps to ensure that people couldn’t find geodata (or identifiable landmarks) in the images.

While I find this data useful, it seems like it would be difficult for a stranger to really root through the information. Google Photos presents the location data in a heat map that someone needs to interact with to learn any additional context (such as dates). The map also doesn’t appear to be shareable.

Google has taken the additional step of turning off location sharing by default in some common ways of sharing information like shared albums or conversations (it can be turned on by the user and was apparently on prior to 2021).

I also know that the heat map is woefully incomplete — as I mentioned earlier, the map can only show places that I’ve taken photos of. I’ve visited or traveled through 42 states, but the heat map can’t show that because there simply aren’t many photos from my time living in the Southeast or my lengthy trips across the Sun Belt, Midwest or the Northeast (or visits to Canada and Mexico, for that matter).

The map can also exaggerate single trips across great distances. This can be seen with my single trip aboard the Empire Builder train across the Upper Midwest in 2009. It was memorable, but my only trip through North Dakota and Montana is depicted as a giant blue ribbon on the map.

The map is ultimately a fun look at where I’ve been. It is truly amazing that we have so much freedom to travel about the country. It’s a right that has sometimes been denied to Americans (and regrettably still is to some extent today). I certainly don’t wish to take this right for granted.

The map also indirectly shows places where I haven’t been. Even in areas where it looks like I’m well traveled, there are destinations that I haven’t yet been able to visit such as national parks in Utah.

I don’t know if I’ll get to some of these locales — such expeditions depend on time, money and planning. If I do, I’ll make sure that photos from those trips are added to my Google Photos map.

2019 Continental Cup builds to an exciting finale

On the closest sheet, Team North America (skipped by Brad Gushue) sweeps a stone into the house against Team World, lead by Bruce Mouat, during the 2019 Continental Cup on Saturday, Jan. 19, 2019, in Las Vegas, Nevada.

On the closest sheet, Team North America (skipped by Brad Gushue) sweeps a stone into the house against Team World, lead by Bruce Mouat, during the 2019 Continental Cup on Saturday, Jan. 19, 2019, in Las Vegas, Nevada.

Today is the final day of the 2019 Continental Cup at the Orleans Arena. Judging by the first three days of competition between Team North America and Team World, the final day could be electric.

The final two sessions are at 11 a.m. and 4 p.m. PT. Coverage streams online at ESPN3 and broadcast in Canada on TSN.

The World team has definitely had the better of the North Americans in the first three days. Team World has a commanding five-point lead in the race to 30.5 (17.5 to 12.5). Team North America had been further behind, but swept the final round of scramble play for a crucial six points.

Setting the points aside, the competition has had numerous highlights over the first nine rounds of games. There have been blowouts, close battles, barely missed shots at the absolute worst time and clutch shots to seal the win. Last night’s double by John Shuster of Team North America is a great example of a key shot.

I’ve said that curling is fun to watch, but it’s even more fun to play. The atmosphere at the Orleans Arena almost makes me want to change my position (although I may have different thoughts when I step into the hack for my Monday night league).

The level of competition has been outstanding. It’s thrilling to watch these world-class athletes perform and consistently make shots that would be daunting for the average club curler.

The fans are definitely a key contributor to the fun atmosphere at the Orleans. As a volunteer, I’ve been able to interact with many fans and they’re virtually all positive and upbeat about curling. When the fans are in the stands, the setting becomes dynamic.

The audience doesn’t cheer through the whole game. This is another area where curling is like golf — it can be a quiet as a mouse when a team is setting up a shot, However, the crowd definitely shows its appreciation for great shots and good wins.

At the end of Saturday night’s games, the applause was thunderous after Team North America swept the session. It was awesome to see thousands of cheering curling fans — it’s something that’s not too common at events in the United States (although more common in Canada).

Today, it comes down to the final two rounds of competition — the skins game. Continental Cup supporters like to compare this event to golf’s Ryder Cup and this is one area where the comparison is apt.

There’s a lot of points on the table — five per game. Each end (like a baseball inning) for the first six ends is worth 0.5 points. The last two ends are worth a whole point.

It’s not easy to win a skin. The team with the hammer scoring advantage has to score at least two points to claim their prize. The non-hammer team can steal the skin by scoring one point. If neither team reaches their objective, the skin carries over and the pot grows slightly larger.

WIth a total of 30 points on the table today, either team has a shot to win the Continental Cup. Last year, Team World had been behind, but finished with a strong skins performance — resulting in the first-ever tie at 30-30.

Team North America won the tiebreaker as North America’s Brad Gushue edged out World’s Thomas Ulsrud in a playoff to see which team could get a single stone to the center of the house.

We’ll see today whether the 2019 competition will be as close as last year. Will Team North America complete its comeback or will Team World hold them off and win its first cup in six years? I’m excited to find out.

Getting my first pair of shoes at the Continental Cup

A pair of curling shoes purchased from Brooms Up Curling Supplies at the 2019 Continental Cup in Las Vegas, Nevada.

A pair of curling shoes purchased from Brooms Up Curling Supplies at the 2019 Continental Cup in Las Vegas, Nevada.

A lot of people new to the sport of curling often ask if it’s expensive to participate in. Thankfully, the answer is no for the individual curler.

In a lot of ways, getting into curling is like going to the bowling alley. In bowling, you pay for a lane or a certain number of games. In curling, you pay for ice time.

The sport of bowling calls for bowling balls and shoes, but the alley often makes those available for casual participants.

It’s similar in curling — you need a broom to sweep and a special slider for the bottom of your shoe, but most clubs have some available for newer players to borrow.

(Also, the curling stones are owned by the club, just as a bowling alley owns the pins).

As I’ve gotten more involved in curling, I’ve slowly started acquiring personal equipment. Many curlers recommend getting shoes first because that would have the biggest impact on your game.

Unfortunately, shoes are a little pricey, so my first purchase was a curling broom (which was about 45 percent of the cost of shoes). I felt it was a good upgrade compared with the heavier house brooms. I certainly feel more effective with my own broom.

I’m now in a position to buy shoes, but there aren’t a lot of physical curling stores in much of the United States.

Thankfully, one of the American vendors, Brooms Up Curling Supplies, has a mobile showroom that travels to different curling events — including the 2019 Continental Cup.

While many supplies are available for purchase online, I enjoy being able to browse gear in person and try it on for size. The Brooms Up trailer is good for this, as the owner Gary carries a lot of the major manufacturers gear (but not all).

With the Brooms Up trailer parked between the Orleans Arena and the casino, a lot of curling fans drop by after  draws. I was able to drop by Friday and buy my first pair of curling shoes.

As you can tell from the photo at the top of this post, they’re not the most glamorous but I’m hoping they will do the trick. The left shoe includes a built-in slider (currently covered by a rubber gripper) that will help me glide across the ice. With the gripper on the left shoe and a rubber sole on the right, I should be able to walk on the ice with confidence.

My next challenge will be actually using these shoes. Even a small change to my delivery can have a big impact on the game and these new shoes are a big shift.

Also, I’ve never previously moved around on the slider after delivering a stone. Instructors and anyone with common sense caution standing up on a slip-on slider and I’ve certainly fallen a couple times when I forget.

I imagine it will take me a while to used to shuffling around on a slider. I’ll certainly exercise caution, but I’m excited about this next step in my curling experience.

Watching the world’s best curlers in Las Vegas

A decal stating Las Vegas Curling Rocks is posted on a door at the Orleans Casino in Las Vegas, Nevada, on April 3, 2018. The casino is hosting the 2019 Continental Cup.

A decal stating Las Vegas Curling Rocks is posted on a door at the Orleans Casino in Las Vegas, Nevada, on April 3, 2018. The casino is hosting the 2019 Continental Cup.

Today is the first day of the 2019 Continental Cup of Curling at the Orleans Arena in Las Vegas. If you haven’t seen this event before, I would say it’s well worth your time if you’re a fan of the game. In the U.S., games stream on ESPN3 online (with replays shared on the Curling Canada YouTube channel about 48 hours later).

Six of the world’s best teams are competing this weekend in a format similar to the Ryder Cup. This time, it’s Team North America against Team World.

Teams include gold medalists from the 2018 Winter Olympics including women’s champion Team Hasselborg of Sweden and men’s champion Team Shuster of the United States. The rest of the roster is loaded with top athletes, including four Canadian teams, five additional European teams and Team Sinclair from the U.S.

One of the things that sets the Continental Cup apart from other international events is that it’s generally more fun and not just because it’s in Las Vegas. As far as I know, the stakes are little lower because the outcome of the event won’t affect any of the teams’ chances to qualify for a national championship or a spot at the Olympics.

Teams do play for pride and a share of a decent-sized jackpot, but it appears to be a chance for athletes to have a little fun in the middle of the season before going off to national championships (in the case of Canada and the United States).

The Continental Cup often shakes things up, on and off the ice. On the ice, the competition is arranged so individual squads are broken up and recombined in various ways — including setting up pairs to play on mixed doubles squads or assembling new teams for the new team scramble format.

The traditional teams of four will have regular matches, but even that’s mixed up over the course of the weekend as the final day features a skins format.

Off the ice, the teams have areas to cheer their teammates on. This is generally different from other competitions, where teams who aren’t playing usually don’t come the arena.

All of this adds up to something special. The athletes look like they’re having a lot of fun and the competition is a blast to watch. Last year’s event ended in a tie that had to be broken with curling’s equivalent of a shootout.

The Continental Cup is also a great opportunity to see different teams from around the world face off. Last year’s event preceded the Olympics and the games offered an excellent preview of what happened in South Korea, including the fact that John Shuster was ready to make a splash on the international stage.

There are three rounds a day today through Saturday. On Sunday, there are two rounds of skins games. Coverage from every round (or draw) airs live on TSN in Canada and is available on ESPN3 in the U.S.

It will be exciting to see how this year’s event unfolds.

10+1 images from my first year back in Utah

At the end of May, I marked the first anniversary of my returning to Utah. To celebrate the occasion, I reviewed the photos I took from the past 365 days and picked ten that highlighted some of the fun activities from 2016-17. There’s also a bonus picture — the first photo I took upon my return.

Click any photo to embiggen…

Hitting 11 million image views on Google Maps

My profile on Google Maps.

My profile on Google Maps.

Just a year ago, I passed 2 million views on Google Maps. Imagine my surprise when my images surged past 10 million views just a couple of months ago. The 190 images I’ve published on Google Maps has been viewed 11.1 million times as of this writing.

I wish I could claim total responsibility for this accomplishment, but it seems like it’s more a matter of being in the right place at the right time.

Since I started uploading photospheres to Google Street View, none of them had exceeded 1 million views (although one was close at 970,000 views). Following the Oroville Dam crisis in February, I had two photospheres reach past the one million mark, with one reaching past two million.

In my experience, the most successful spheres are those that are featured in Google’s search results. I don’t have definitive proof that this is the case, but I’ve found the images that featured in the search results seem to perform best. The example that came to mind was my photosphere for Bear Hole in Bidwell Park. I was surprised when I saw it suddenly surge beyond 100,000 views. I wasn’t sure why it was performing so well.

The most plausible explanation was that it was featured on the search results on Google Map. When I searched for Chico, CA in Google Maps, the search engine returns a map of the city, but there’s also a card showing useful information — and photos of the city. Often times, these are popular pics of major landmarks or the like. Google also includes photospheres. This is often from its own Street View service, but it increasingly appears to include photospheres taken by its users.

A Google Maps card for Oroville, California on Monday, May 29, 2017. The top image is from one of my photospheres.

A Google Maps card for Oroville, California on Monday, May 29, 2017. The top image is from one of my photospheres.

I think this is behind my most “popular” photospheres, including ones taken at regional parks, train stations or other landmarks likely to be searched by people.

Adding credence to my theory was another photosphere of Bear Hole taken by another user. I saw that it too was featured at times in the Google Maps search results and it had a view count similar to mine,

That brings me to the incident that brought my views surging to new heights. In early February, there was a natural disaster that prompted the evacuation of more than 200,000 people in Northern California. Although the emergency spillway at Oroville Dam didn’t breach, I imagine there were a lot of people interested in learning the location of Oroville Dam and the surrounding area.

Indeed, the most popular photospheres featured the now-destroyed main spillway at the dam. It’s interesting that my most popular image is something that no longer exists.

The second most popular image for me was a photosphere of sculptures at Centennial Park in Oroville. It’s not associated with the park because there’s no entry for the park on Google Maps, but it is the first thing that comes up on Google Maps when someone searches for Oroville.

Several other images from Oroville have jumped following the Oroville Dam crisis, but those are by far the most popular.

I don’t know if a view is counted merely because someone sees it on a search result or if someone actually clicked through to see the full image. I would like to think it’s the later, but information on Google support forums indicates that merely seeing an image in a search result counts as a view.

Ultimately, I would like to think that people are viewing my images — it’s nice to think that millions of people are seeing my work. If it’s true, these images are the most popular thing that I’ve ever done.

 

2013 – Day 6(ish) of the 9 Days of Christmas Cards

After shooting around Chico for my first five cards, I went all out for the 2013 Christmas card and ended up with what is probably the most beautiful of the cards that I’ve shot so far.

After years of joking about doing a Sierra Nevada Santa Claus — where jolly Ol’ St. Nick enjoys a local brew similar to the iconic Coca-Cola ads — I finally came up with a workable solution.

I always had a number of reservations about the Sierra Nevada Santa, including the fact that I don’t want to encourage drinking and sleighing. I also didn’t necessarily want to go to the expense and effort of renting a Santa costume, especially because I had doubts that I could pull off a convincing Santa.

After some consideration, I thought that I could build a snowman wearing a Sierra Nevada shirt. I always strive for a PG-rated card and the shirt in of itself is fairly innocuous. I would also need to go to a location where there was snow and my first thought was of Lake Tahoe.

I’d never been to Lake Tahoe before and I was excited to check it out while shooting my card. Although I’ve always maintained that one of my goals was to create Chico-oriented cards, I made an exception because it doesn’t really snow in Chico and that I was remaining in Northern California.

As time passed, I worried about being able to get to the picturesque lake in time. After hearing of snow in foothills and Sierra Nevada, I decided to try a location closer to home up Feather River Canyon on Dec. 8.

It was a total bust. After driving up Highway 70 along the winding Feather River, I made it to Quincy. My hopes were buoyed by the fact that the snow cover increased as I headed further uphill. I sought an open field to build the snowman and picked Feather River College just outside of town.

Attempting to build a snowman in Quincy

Attempting to build a snowman in Quincy

It … didn’t go well:

The snow didn’t clump very well and it was impossible to build a firm enough snowball to form the nucleus of the snowman.

After a few minutes of trying, I gave up and retreated down the hill back to Chico frustrated but happy that I had enough time to pursue alternatives.

The alternative came up quickly. I realized I could use my California Rail Pass that I would buy to travel to San Diego for the transportation to South Lake Tahoe. The Rail Pass was a great value — for $159, a passenger can travel to destinations within California on any seven days during a 21-day period (with several conditions). Although Amtrak doesn’t have a train that goes to Lake Tahoe, it has a motorcoach that makes the connection from Sacramento.

Leaving Davis Station in December 2013.

Leaving Davis Station in December 2013.

On Dec. 14, I made the trip to South Lake Tahoe via Davis and Sacramento. I was bundled for the cold, but it was a gorgeous sunny day. I primarily slept on the bus as it traveled on Highway 50, which was probably for the best because it is a very windy road up to Tahoe.

When I arrived in South Lake Tahoe, I was a little bummed out that the buildings were a little dowdy. I had pictured either a quaint downtown with classic old buildings or picturesque mountain village. What I saw was neither — much of the construction was simple, modern boxy construction.

Adjusting my expectations appropriately, I consulted with a map at the visitor’s center to look for an open field that would help provide an appropriate view of the mountains that ring the lake. Seeing a place that I could work, I walked a short distance to Rabe Meadow.

The meadow was perfect. There were houses nearby, but the meadow presented an open field with near-pristine snow with either stands of trees or the mountains themselves as possible backgrounds.

The snowman as I was about to leave Rabe Meadow

The snowman as I was about to leave Rabe Meadow

After picking an ideal spot, I set to build the snowman. It went far easier than before and I was able to quickly build the three spheres that would comprise my model. When it came time to put the Celebration Ale shirt over the snowman, I quickly realized that its torso was too big.

Because I was working with snow, I used my gloved hands to hack away at the snowman’s torso until it was just broad enough for the shirt to fit comfortably. As some of the photos show, the lower part of the snowman is disproportional to the rest of the snowman but I generally refrained from photographing the snowman’s whole body.

After putting on the T-shirt, I wrapped a scarf around the snowman to add further character to the creature. For his face, I used a handful of stones that I’d gathered outside my apartment in Chico. Once he was decorated, I think he resembled an Ewok or perhaps a stuffed teddy bear I had as a child.

A close-up of the Sierra Nevada snowman

A close-up of the Sierra Nevada snowman

Getting everything set up went fairly quickly and I was able to take dozens of photos of the snowman from different angles and distances. It was tricky because I wanted to adequately capture the background in addition to featuring the snowman prominently while showing the Sierra Nevada T-shirt.

It was a positive that I could rotate the snowman to capture different backgrounds. I tried to shoot pictures with the mountains stretching across the horizon and others with a stand of trees extending into the background.

Complicating things was trying to capture the scene without having odd objects in the background intruding on the snowman at weird angles. It was also warmer than I had expected and the snow was melting. That ordinarily wouldn’t be too big of a problem, but the water was starting to soak the T-shirt which showed up on a few shots and the rock eyes began to fall from the snowman’s face. (It turned out that it was best that I shot photos on that day because there was no additional snow that month amid the ongoing drought).

Generally, the photography went well with terrific early winter sunlight. A passerby was nice enough to take a photo of me with my creation.

The Sierra Nevada Snowman and me.

The Sierra Nevada Snowman and me.

After finishing the shoot, I was able to enjoy walking around South Lake Tahoe. I had booked a room overnight, so I had plenty of time to walk out to the beach and then head back toward town for some food, libations and entertainment before calling it a night. It was definitely a great trip and I felt that I had a great card on my hands.

When I returned to Chico, I had the challenge of finding the right photo and creating the best possible card. I went through the dozens of photos and picked the two or three that I felt best captured the moment. I generally liked a photo where the snowman was in front of the mountains with the blue sky in the background. However, I ultimately preferred a picture with the snowman in front of the stand of trees because I like how the evergreens contrasted with the white snow and red T-shirt.

Once I picked the photos, it was a matter of picking the right card template. I generally didn’t like the Costco templates because I felt they failed to showcase the actual photo prominently enough. This year, I looked at the Apple iPhotos card templates and found a couple of viable options. I also tried different messages including “A Celebration for All Occasions.”

Thumbnails of possible 2013 cards.

Thumbnails of possible 2013 cards.

I definitely liked the iPhoto designs better than the Costco ones, but it was tricky to adapt a template set for one perspective to Costco’s 6 inches by 7.5 inches. I also wanted to feature as much of the photo as possible and the iPhoto templates generally didn’t do that … except for one.

I ultimately went with a simple green banner across the bottom featuring the message “May Every Occasion Call For Celebration.” It was easiest to adapt for the Costco print sizes and definitely put the picture front and center.

The 2013 Christmas Card — "May Every Occasion Call For Celebration."

The 2013 Christmas Card — “May Every Occasion Call For Celebration.”

Ultimately, this was one of the most fun Christmas cards to make. It’s probably the best and most beautiful card I’ve created too, although I would definitely try to keep the standard high in the years to come.

By the numbers:

278 — miles traveled for the 2013 card (83 miles to Quincy for the initial failed attempt and 195 miles via bus to South Lake Tahoe).

11 — Days before Christmas when I did principal photography.

127 — Principal photos for the card (out of 211 pictures shot during my two trips).

Photos for the 2013 Christmas Card

Photos for the 2013 Christmas Card

Monday Tuesday Karaoke in Utah

Richard plays a saxophone cover of 'hello' during karaoke night at Keys on Main in Salt Lake City on Tuesday, Aug. 9, 2016.Richard plays a saxophone cover of “Hello” during karaoke night at Keys on Main in Salt Lake City on Tuesday, Aug. 9, 2016.

It’s been interesting getting used to a different karaoke scene. Back in Chico, I knew where I could go out and sing every night of the week, even when it wasn’t practical to go.

Since I moved back to Utah nearly three months ago, I’ve gone out to karaoke four times with last Tuesday being the latest. Part of my challenge is that I now work most evenings, except for Monday and Tuesday. The pickings have been relatively slim, but I’ve still been able to find some gems.

Although my sample set for testing is limited, I’ve been impressed with the quality of the performers in Salt Lake City. Conversely, I was disappointed by the general unprofessionalism of the karaoke night I found in Provo on Monday. I’ve also been happy to take advantage of late-evening runs on the TRAX light rail and FrontRunner commuter trains, although it does end my evening at around 11:30 p.m.

Beginning with a Twist

My first time getting back on the karaoke horse was last month at Twist, located just north of 400 South and Main Street in Salt Lake. It was in what could be described as a small street or alley, so I didn’t know what to expect. Thankfully, I was pleasantly surprised when I walked up to the establishment. The entrance was raised and set back from the street. Patrons have to walk up some broad, shallow steps and past an enclosed patio to enter the restaurant.

Inside, the establishment was divided into three areas. The main serving area was the top-most level with the bar and kitchen. I didn’t immediately see the karaoke setup, so I headed down the stairs to a basement that included a smaller bar area and bar games, including pinball.

The basement area was too small to host karaoke so I headed up a second set of stairs and discovered a mid-floor that housed some restrooms. As I made my way around the space, I thought that it seemed a little risky to have so many stairs in an establishment that caters to people drinking alcohol, especially with the restrooms on a mid-level. Thankfully, some of my concerns were ameliorated when I discovered a second set of restrooms on the main floor — there really wasn’t a reason to go down the stairs unless a patron was partaking of games in the basement.

When I reached the top of the second set of stairs, which ended near the back of the business, I could see the karaoke setup. I didn’t immediately see the karaoke host, so I moseyed to the bar and waited, somewhat distracted by the large projection screen hanging over the opening to the basement.

The evening was off to a slow start, which is unfortunately pretty predicatable for most karaoke nights. Thankfully, the night eventually started and I was able to pick up a mic and have some fun.

My setlist was a mix of songs that are particular favorites and one Fourth of July song because the holiday had just passed. I warmed up to the karaoke host when he was surprised that he had Los Cadillac Fabulosos’ “El Matador” in his library. He was eager to sing it himself on a future night.

Here are the songs that I picked for that night:

  • “Mr. Blue Sky” by ELO.
  • “El Matador” by Los Cadillacs Fabulosos.
  • “America the Beautiful” by Ray Charles.
  • “Most Beautiful Girl (In the Room)” by Flight of the Conchords

The set up was basic — the by-now common laptop connected to a sound system. I don’t remember where the flat-screen monitor was on a stand or a table top, but it was an average situation with no serious demerits.

The crowd began to trickle in. Many of the first people to sing seemed like regulars and their friends. A couple of the regulars seemed to be fairly talented and I found myself thinking about the quality of performers possibly being a little higher in Salt Lake than relatively small Chico.

It was fun to sing again, although I’ve gotten a bit self-concious about singing after watching a recording I made at a live concert where I’m heard singing along with the crowd on a song. This self-conciousness has extended to when I sing along with the radio in the car. It’s not enough to deter me from singing or staying away from challenging songs, but it’s a good reminder that I’m still a rank amateur and these evenings are just for fun (especially when singing difficult tunes, like “El Matador”).

All too soon though, I noted I had to catch the light-rail back to my car before the system shut down for the night. As much fun as it is, I definitely I don’t want to be stranded away from home for the evening.

Unlocking Keys on Main

About three weeks ago, I stopped in a place across from Gallivan Center on Main Street that advertised karaoke on Tuesday — Keys on Main. As with Twist, I didn’t have a good idea of what to expect but the evening was ultimately a success.

The evening got off to a slow start — I guess it would be more noteworthy if a karaoke night actually started on time. There was a small group taking turns singing, so there was already a modest rotation by the time I added my name to the list.

As with Twist, there seemed to a handful of regulars joined by a small group of others. So far, I haven’t really seen a place since I’ve returned to Utah that was hopping. That’s probably because of the day of the week — two years ago, I went to a place off of Highland that eventually got crowded, but it was on a Saturday.

Whatever the crowd, the regulars were definitely solid singers. One fellow named Richard even brought a saxaphone to play Lionel Richie’s “Hello” as a solo and then joined Millie as a duet called “Millard.”

The set up at Keys was as professional as Twist and DJ Wes ran a pretty tight show. Instead of being casually set up in a corner of the bar, Keys’ karaoke set up on small stage that also accommodated dueling pianos (which were actually keyboards that were turned off, much to my disappointment). I definitely like having a stage to perform on, but any place that isn’t cramped or awkward is OK.

My song selection was based on tunes that I like singing, but haven’t had a chance to sing in a while.

  • “Little Lion Man” by Mumford and Sons.
  • “Fat Bottomed Girls” by Queen.
  • “Here For a Good Time (Not a Long Time)” by Trooper

Some of the songs have generally gotten a good response (like Queen), while others are just fun, like the Trooper tune. After I sang “Here for a Good Time,” a couple of guys said they really enjoyed it and wanted to know the artist. They were interested to learn that it was a band from Canada, which they reasoned why they didn’t know the song.

Again, I had to leave early so I didn’t get stranded. One patron was generous enough to offer me a ride to the train station, but I had plenty of time to get back to Salt Lake Central Station.

Disappointment in Provo

On Monday, Aug. 15, I decided to finally check out the limited downtown Provo night scene. While I’m happy to live in downtown, there’s only three late-night spots on Center Street and I have had no real compulsion to visit any of them. For example, City Lights looked appealing on the outside, I was turned off by photos of interior’s light wood paneling that screams family basement from the ’70s.

I’m not going to say which establishment I visited because what I found might get them in trouble (although there may be enough context clues for someone to take a big guess and figure it out).

I was pleasantly pleased when I first entered the business. It felt a bit like a dive, but I prefer places that are comfortable and a little lived in. I was excited when I heard somone singing on a back stage. The crowd seemed pretty diverse, although tending to be on the younger side. Overall, it was a pleasant surprise considering what I was expecting from Provo. 

I grabbed a beverage and headed back to see if I could sign up for a song, even though it was getting late. I stopped in my tracks when I saw that the karaoke host was using YouTube to play the karaoke tracks. I politely waved at the karaoke host when he looked my way, but I decided I wasn’t going to try to sing that night.

I’m generally positive about karaoke tracks on YouTube … at home. It’s exciting that several karaoke music companies post their music videos to YouTube. It can be great fun to do YouTube karaoke at a house party.

However, a professional karaoke event is not a house party. Some things that people can get away with at a house party can’t fly in a place of business. For example, playing a stereo or watching a football game is generally OK at home with a small group of friends. At a local business, the owner needs to have a license or face fees from licensing groups.

The main problem with YouTube is that it is generally licensed for private, personal use. I don’t know if Google has a YouTube that’s available for commercial use.

In some ways, it doesn’t matter as the KJ handled YouTube in an amateurish way. The YouTube status bar was often visible during performances and autoplay would automatically start another (unrelated) video after the singer was done.

On top that, the KJ would scramble to mute the sound when an ad came up. Overall, I wasn’t impressed with the host. He was obnoxiously enthusiastic and interacted with performers to the point where it was distracting. Toward the end of the evening, he jokingly cursed at the audience for not being engaged.

But seriously, YouTube karaoke could be trouble

I am not a lawyer, but my impressison is that karaoke hosts generally need to use tracks licensed for commercial use — they can’t just download them from iTunes. There may be some winking at these restrictions (I don’t know how many karaoke hosts or regular people who can vouch for every song in their library). However,  using YouTube as a core component of a professional gig seems like an invitation for trouble, especially if a licensing group does decide to look closer at an establishment or KJ.

But you don’t have to take my word for it. When I shared my concern online, one friend who’s a KJ responded: “Very unprofessional and they could get into some trouble if the right people found out.”

Back to Keys

I returned to Keys on Main last week. It definitely confirmed that the singers that I though were regulars were indeed regulars (although there was no sax that night and some people I thought were regulars were not present). The crowd was also about the same as before — filling less than a quarter of the seats in the large space. I don’t know if they anticipated more people — there were song sign-up slips on most of the tables, so perhaps there was a time when the place gets busy.

I drove into the city that night, so I didn’t have to worry about catching the last train out of town. I did have to watch my beverage intake and limited myself to one, which is for the best in more ways than one.

When it came time to pick songs, I stayed towards the tunes that I like singing and usually get the best reaction.

  • “Graduation (Friends Forever)” by Vitamin C.
  • “The Distance” by Cake.
  • “Africa” by Toto.
  • “Lights” by Journey

I was surprised to find that I haven’t sang “Africa” in a few months, considering that it became such a favorite in Chico. I started off with “Graduation,” explaining that I usually sing it at the end of the school year, but didn’t get to during the spring.

A couple of song choices were dictated by the fact that the songs I would’ve preferred to sing where either unavailable or unplayable. I would’ve rather sang Cake’s cover of “I Will Survive,” but “The Distance” was OK. I jumped to “Lights” when The Tragically Hip’s “Blow at High Dough” wouldn’t load (which is a shame given that the band was just ending what will likely be its last tour).

All in all, the Monday Tuesday karaoke scene isn’t too bad. It’s not hopping like it was most nights in Chico, but it’s something that can get me out of the house every once in a while. I don’t know if I’ll be making the trip every week, considering the time and distance involved (especially with curling league starting on Mondays), but it’s a nice option.

One reason why I may go to Buffalo Wild Wings & one reason why I may never go back

Online trivia is probably the biggest reason why I'll go back to Buffalo Wild Wings, if it's available at the Chico location.

Online trivia is probably the biggest reason why I’ll go back to Buffalo Wild Wings, which appears to be available at the Chico location.

Buffalo Wild Wings completed its expansion to Chico this week. Judging by photos of early lines and posts in my Facebook feed, it seems a lot of people are happy about the development. Although I love saying “The game is on!”, thanks to the eatery’s unceasingly repetitive TV commercials, I don’t know if I would go back after a visit to the Natomas location in May 2014.

Why I may go back – While I was generally impressed by the huge bar area with a standing wall of giant TVs and the beer selection (although I think Sierra Nevada was largely missing), the food is pretty standard for this type of quick-service restaurant and the prices are higher than I think they should be (the Chico menu lists a wing combo at $16.79, otherwise fries and slaw cost extra). Ultimately, there was only one compelling reason why I could become a repeat customer and that’s online pub trivia.

When I dropped by the first time, I was pleasantly surprised to see the old familiar blue consoles of Buzztime trivia. I first played Buzztime when I was living in the Midwest from 2001-05, but no Chico tavern has offered it for more than a decade … until now.

With the blue console, a bar patron plays quick, 20-minute trivia matches with clues broadcast on one or two TVs scattered across the bar. The questions are nearly always multiple choice and the difficulty level is closer to the earlier rounds of “Who Wants to Be a Millionaire” than “Jeopardy!” After every question, you can see how you’re faring against other barflies. When the round ends, the scores are calculated across North America and you can see your nationwide rank.

There are multiple types of games in the primary trivia channel, but there are other channels including virtual poker. During football season, many sites offer QB1, which allows contestants to win points if they correctly guess the offense’s play.

During my visit, I was the only one really playing trivia (everyone else seemed to be focused on an MMA match featuring a fighter from Sacramento). Still, it was fun to play while I ate and had some soda.

I can get my fix through a number of online and smartphone apps that are available, such as QuizUp, but Buzztime can be a little more sociable as the pacing of the games aren’t rigorous. While you want to ring in promptly when there are questions, there are frequent breaks to continue conversations with your friends (if you have any) and to order more food and drink (which is what I’m sure B-Dubs and other bars want you to do).

Several of my friends and I have gone to live trivia at some Chico restaurants, which is generally fun, but can be quirky. Online trivia like Buzztime is generally available anytime, so it may be easier to get a bunch of friends and just go.

Here's why I may never go back to Buffalo Wild Wings -- the restaurant making Bud Light as its "Beer of the Month" in May 2014.

Here’s why I may never go back to Buffalo Wild Wings — the restaurant making Bud Light as its “Beer of the Month” in May 2014.

Why I may never go back – While I was generally uncomfortable with the prices, there was one incredulous discovery that baffled me. As I was leaving, I saw that the restaurant’s “Beer of the Month” for May 2014 was Bud Light.

I’m not a fan of Bud Light (although it’s not unpalatable), but that’s not the primary reason why I was turned off to the point where I may never go back. Bud Light is _the_ most popular beer in America by far. Although sales have reportedly dipped recently, a Vox chart shows it outsold its nearest rival (Coors Light) nearly 3:1 in 2013.

Given such market dominance, Bud Light doesn’t seem to really need to be highlighted as a “Beer of the Month.” It’s a default, go-to beer for a lot of people — you would expect nearly every bar in the country to offer this product. It’s like naming Christmas the Holiday of the Month for December, salt as the Seasoning of the Month or if Little Cesar’s named its ever-available pepperoni pizza as the Pizza of the Month.

One possible factor is that Budweiser’s owner Anheuser–Busch InBev advertises the brand quite heavily. Maybe there was an advertising consideration when Buffalo Wild Wings made such a banal selection for its beer of the month?

If you do choose to sample the exotic and unknown Bud Light, Buffalo Wild Wings offers these tasting notes for the American-style light lager — “Subtle fruity and citrus taste notes with a fast, clean finish.”

The price of this special brew was $4.25 in 2014, which wasn’t too bad, although one may find better deals on far more superior beers elsewhere in Chico.

Postscript – After writing all this, I checked the restaurant’s beer menu and found the _two_ beers of the month:

Here are  Buffalo Wild Wings' beers of the month, as seen on Aug. 10, 2015.

*sigh* Here are Buffalo Wild Wings’ beers of the month, as seen on Aug. 10, 2015.

It’s disappointing to see Bud Light nab this spotlight again. Buffalo Wild Wings also has an odd definition of “Import,” as Goose Island is a Chicago brewery. It’s worth noting who Goose Island’s owners are — Anheuser-Busch InBev. AB InBev _is_ based in Belgium, so maybe that was a criteria in defining “Import.”

On a slightly positive note, Sam Adams remains its own independent company. At least there’s that, although Sam Adams seems to have similar issues to Bud Light.