‘How I Met Your Mother’ subject of my top comment of 2014

My top comment of 2014 was about "How I Met Your Mother" - “They had the option to not run the pretaped segment and shoot a different ending.”

My top comment of 2014 was about “How I Met Your Mother” – “They had the option to not run the pretaped segment and shoot a different ending.”

Kids… in May of 2014, your father tuned in for the final episode of a television program called “How I Met Your Mother.” Coincidentally, watching the show is how I met your mother.

Just kidding. The only thing I met in the spring of 2014 was a new chicken wing place, but that’s a story for another time.

Anyway, the show had long been a favorite of your father’s. It featured six friends your father’s age as they made their way through a Los Angeles TV studio made up to resemble New York City. The main character, named Ted Mosby, was on a quest to find his ideal partner.

What attracted your father to the show was relatively inventive and funny storytelling and an energetic set of characters played by actors whose individual dynamics played well off each other. The show, especially in its early years, seemed like a worthy descendant of “Friends” and “Coupling.”

Ted’s quest continued for nine years through numerous twists and turns, including dating one of his friends, Robin, but it was finally leading to the final episode where Ted would finally meet the woman who would become his wife.

After eight seasons where each season took roughly one year of time, the final season was primarily set in a single, long weekend where each of Ted’s friends met the mother before fate (and the show producers) finally allowed the story to reach its natural conclusion. Ted met the mother… but that wasn’t the end of the story.

And kids, much like this poorly thought-out story-telling mode that I’m struggling to stick with, the story of “How I Met Your Mother” went slightly off the rails.

You see, despite nine whole years of saying the story was about how Ted met the mother and spending an entire season of episodes expressly building up to this resolution, the show’s producers made it clear in the last five minutes of the episode and the entire series that we were all wrong — the story was about how Ted, who was
telling the story in a series of flashbacks, was indirectly seeking his kids’ blessing to rekindle an older relationship years after the mother had died.

Needless to say, that resolution didn’t sit well with a lot of people who took to the Internet to voice their dismay. One of those people was your father. Back in 2014, websites encouraged readers to leave comments at the end of stories (and to help prove Sturgeon’s Law everyday). People could also click to approve comments that they
liked or found useful.

Your father would comment on various topics from time to time. His comments were only sporadically liked, but he would see his most success in 2014 when he wrote the following on a review at The A.V. Club:

“They had the option to not run the pretaped segment and shoot a different ending.”

At the end of the year, 233 people had liked the comment making it by far the most liked comment your father had written in the 2014. Your father had been responding to speculation that the show’s creators, Carter Bays and Craig Thomas, had to stick with the ending that they filmed with the actors that played Ted’s children when they were teenagers several years ago. The actors had obviously aged and didn’t look like they did nine years ago.

My simple point was that Bays and Thomas didn’t have to stick with the ending that they planned out years ago. Had the producers wanted to choose a different ending, they certainly had it in their power to do so.

But they didn’t.

In interviews after the show, Bays and Thomas have said the ending was what they had envisioned all along.

Although Bays and Thomas had set their course several years ago, their vision of the destination was unsatisfying given the direction the show actually took. One can set out with a destination in mind, but the goal can change based on the actual journey.

The journey of “How I Met Your Mother,” especially in the early years, had a strong focus on Ted and the woman he would ultimately end up with. As the years progressed, that relationship ended and future stories focused on other relationships Ted was seeking or other hi-jinks involving the rest of the group.

The earlier relationship was still a component of the series, but it didn’t seem like a primary focus despite some fans wanting the two characters to get together. I was satisfied from a line from the very first episode where Ted said this woman wasn’t the mother.

From that very first episode to the last season, I had bought into the premise that the show was about Ted meeting the mother.

Practically every aspect of the show, up until the final five minutes of the series, had been pointed in that direction and I would’ve liked to see the series end with a happy or satisfying resolution along those lines.

However unsatisfied I may be with the ending, I can respect the creators’ decision to end the show as they feel fit. I didn’t feel they had to be constrained by the ending they filed years ago, and it doesn’t seem like they were.

And that kids, is how I met mango habanero chicken wings. Oh, but the place closed so I went back to Chipotle after a respectful mourning period.

The end.

Racing home to the Mexican National Anthem

While one can’t go home again, sometimes it’s nice to visit. My semi-annual return to Southern California this week was filled with great time with family, seeking out new experiences and reliving fond memories. Turning on the radio on my way home from the train station tonight sent me back to my college years, more than 14 years past.

I first tuned into KPBS, but after a minute of their evening classical programming, I spun the proverbial dial to 91X (XETRA 91.1). The last few minutes of their “Loudspeaker” program reminded me of San Diego’s local music scene, which I only was able to sample briefly after college before I moved away. I was a little surprised to hear what sounded like profanity during one of the songs, but I quickly reminded myself that 91X broadcasts from Tijuana into San Diego.

I was served another reminder of 91X’s cross-border origin when the disc jockey announced that regular programming would be interrupted for “The Mexican National Hour,” which typically airs on Sunday evenings.

I was surprised by what I heard. The Spanish-language “La Hora Nacional” sounded much better than it did 15 years ago. Back in the day, the show sounded like it was initially recorded in an empty gym and relayed to local station via shortwave before it was played back on 91X on a shoddy, beat-up tape. It sounded echo-y and awful, and I would quickly turn to another channel until the alternative music returned (or “Loveline,” but that was a different time).

Although I was only able to understand a portion of the show (show archive), the current “La Hora Nacional” sounded reasonably entertaining (for a 77-year-old government-produced program geared to promote national unity among other things). It featured an upbeat set of hosts discussing a variety of topics. It is something I may seek out and listen to later.

Hearing “La Hora Nacional” brought back other memories of listening to 91X in college. After studying late at the library, I would often be on the road home at midnight when the station was obligated to play the Mexican National Anthem (conveniently and simply named “Himno Nacional Mexicano”). I don’t why the station chose the version it did, but they would play an instrumental version of the song that lasted about four minutes. One of the TV stations broadcast a version that featured children singing, but the radio version was about four minutes of the anthem melody repeating over and over until you thought it was finished and then it would repeat a couple more times.

The song isn’t quite an earworm, but it was fascinating listening to it to see how many times the melody would repeat. It also became a bit of a challenge for me to see how far I could drive while the anthem played. I joked I could get home without speeding in the time it took for the song to play, but I never made it.

Since I moved away from San Diego, I would occasionally try to tune in for the Mexican National Anthem, but 91X only plays it over the air and not on their Internet streams. I was finally able to tune in for the nightly event about a year ago, but it was a bit different and shorter than in years past.

As someone who has loved radio for decades, I get a kick out of the tradition of U.S. stations playing a patriotic song as they signed off, or signed on, for the day. It is something that has definitely gone by the wayside (unless you’re Adult Swim and air an off-kilter sign-off).

While U.S. stations moved away from the sign-off tradition, the Canadian Broadcasting Corp. still started and ended its broadcast day with “O Canada,” during the years I lived in Michigan. The CBC has since started broadcasting around the clock, so it too has ended this tradition.

The version of “O Canada” that I saw was an elaborate production with a bold orchestral arrangement of the song set against a wide array of images evoking the Great White North and its diverse population (YouTube video posted by eastest566). It’s something I still enjoy seeing and listening to years later — even the cheesy prelude segment about how essential the CBC is.

In the years since I’ve become a volunteer DJ, I taken to keeping the tradition alive in a small way. Since my weekly program ends at midnight, I nearly always end with a jazzy performance of “The Star-Spangled Banner.” I certainly don’t do the specific jargon one uses when actually ending the broadcasting day (because I’m not), but I like to end with Duke Ellington’s take on the National Anthem although I sometimes switch to versions by Bonerama or Branford Marsalis and Bruce Hornsby.

Who knows? Maybe there’s someone in a car listening to my show trying to see how far they can get by the time the song’s over.